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Weekly Chart Notes: Anna Kendrick Finally ‘Pitch Perfect’ For Radio

The actress/singer's almost-a capella track 'Cups' gets a musical makeover, spurring sudden programmer interest.

Although it’s spent 11 weeks on the Billboard Hot 100 and sold almost half a million (498,000) downloads, according to Nielsen SoundScan, Anna Kendrick’s quirky single “Cups” is just now adding a new element to its success: radio airplay.

And, much like the vocal group, the Barden Bellas, that Kendrick’s character helped reinvent, leading to glee club glory, in the film, “Cups” is likewise winning new fans thanks to a radical change in sound.

As “Pitch Perfect” protagonist Beca Mitchell, Kendrick sings “Cups” as her audition song for the ensemble, performing it only with the accompaniment of a yellow plastic cup (and the stage floor on which she’s sitting) as percussion. British act Lulu and the Lampshades unveiled its version of the composition, and unique performance style, in 2009 as reworking of the 1937 recording “Miss Me When I’m Gone” by J. E. Mainer’s Mountaineers. Anna Burden’s performance subsequently garnered attention on YouTube (3.3 million views to date), which led to front page placement on Reddit, and myriad other online covers followed.


” ‘Cause I’m a huge loser, I thought the best way to spend an entire afternoon would be watching (Burden’s) video 50 times and teaching myself how to do it,” Kendrick told David Letterman in October. When the film’s creative powers “found out I could, they wanted me to (perform) it in the movie.”

Despite the song’s sales, the movie’s more than $110 million take in worldwide box office receipts and a No. 3 peak on the Billboard 200 for the “Pitch Perfect” soundtrack, which has sold 554,000 copies in the U.S., a brief (1:16-long) vocal-and-drinkware-only reworking of a more than 75-year-old Appalachian folk song isn’t exactly typical top 40 fare.

Republic Records, however, seeking to capitalize on the song’s wide pop culture reach, teamed with Universal Pictures president/film music and publishing Mike Knobloch for a new version featuring instrumentation (and running 2:09). Following its release to radio, “Cups” is now approaching Billboard’s Pop Songs airplay chart. KZHT Salt Lake City led all stations with 48 plays for it in the March 4-10 Nielsen BDS tracking week, followed by WZPL Indianapolis (21) and Sirius XM’s Hits 1 channel (14).

David Nathan, Republic senior VP/radio and video promotion, says that, in its new form, “Cups” is, well, pitch perfect for radio, given its built-in familiarity. “Anyone that has a preteen will know about this song. ‘Pitch Perfect’ is a cultural phenomenon and we’re very happy to be a part of it.”

Nathan points out that “Cups” likely stands out as fresher to audiences among the soundtrack’s other songs, including covers of relatively recent hits by Kelly Clarkson (“Since U Been Gone”), Miley Cyrus (“Party in the U.S.A”) and Flo Rida (“Right Round”), a selling point as the label begins its promotional efforts. “We’re putting the full plan in motion. The song’s video shoot is happening in the third week of March and it stars Kendrick. ‘Pitch Perfect’ director Jason Moore is directing the clip, as well.

“We’ve also been setting up contests on-air and online that challenge listeners to make their own unique version of the song. The initial response has been amazing.”

While only Kendrick’s original version of “Cups” is currently available for purchase, the music bed-backed remix “will be up on iTunes very soon,” Nathan says.

Radio programmers first to give listeners a taste of “Cups” are likewise enthusiastic. WZPL program director JR Ammons says that despite initial apathy, he believes in the track’s potential as a radio hit. “I saw the movie when it came out and, honestly, the song didn’t stick out to me as something that I would be playing months later. At this point, I’m not sure that the movie is even fully driving this. I think we’re seeing the power of social media, and, maybe even more so, just the power of really good song hook.”

Ammons relied on some in-house research (literally) to reinforce his instincts. “Honestly, I wouldn’t have thought about that song again after the movie … until my daughter learned the cup thing off YouTube and was singing the song over and over and over in the house. Then, I come to work and see the single sales climb week after week in Indianapolis with zero radio airplay …

“Yes, it seems to be a young-end pop record, but where a record starts and where it ends up isn’t always the same place. Once you get away from the source of the song, it being from a movie about college freshmen, there’s nothing really that youthful-exclusive about it,” Ammons says.

“No matter how I try to fight it, the hook is in my head every time it comes on our station.”

NEXT: Victor Manuelle, Justin Timberlake, Taylor Swift

TO VICTOR GO THE SPOILS: Venerable salsa singer-songwriter Victor Manuelle rewrites the record for the most No. 1s on Billboard’s Tropical Songs chart, as “Me Llamare Tuyo” becomes his 22nd leader on the list. He breaks a tie with Marc Anthony, who’s tallied 21 toppers.

Manuelle’s feel-good song is the first single from his upcoming 14th studio album, which he’s currently recording. He first ruled Tropical Songs with “Hay Que Poner El Alma” in 1996. “Tengo Ganas” marks his longest-leading No. 1, reigning for 13 weeks in 2004.

Here’s an updated look at the acts with the most Tropical Songs No. 1s:

22, Victor Manuelle
21, Marc Anthony
14, Gilberto Santa Rosa
11, Jerry Rivera
9, Elvis Crespo
9, Wisin & Yandel
8, Aventura
8, Don Omar

TOP 10-VILLE: Following his induction into the “Saturday Night Live” five-timers club, and as he stages his weeklong residency on “Late Night With Jimmy Fallon,” Justin Timberlake reaches the Pop Songs top 10 with “Suit & Tie,” featuring Jay-Z (11-8).

The song marks Timberlake’s 14th solo top 10, in addition to nine as a member of ‘N Sync. Among solo males with the most top 10s, Timberlake passes Nelly (13) and trails only Usher (16). Akon and Ludacris follow with 12 each.

Jay-Z lands his sixth Pop Songs top 10 and first since “Empire State of Mind” (with Alicia Keys), which reached No. 5 three years ago.

Timberlake performed “Suit” on NBC’s “Saturday Night Live” (March 9), as well as next single “Mirrors.” Both songs preview his highly-anticipated third solo set “The 20/20 Experience,” due Tuesday (March 19).

’22’ = 38: Pop Songs likewise welcomes Taylor Swift’s new top 40-promoted single “22,” which debuts at No. 38.

If those aren’t enough numbers, how about this: What does Swift have in common with … Prince and Smashing Pumpkins? As @oneillb1 insightfully guessed when I posed the question on Twitter yesterday, each act has charted two Billboard chart hits whose titles double as numbers (numerically or spelled out). Prior to “22” (an ode to Swift’s age when she released parent album “Red” in October), she sent a song about a younger age – “Fifteen” – to No. 7 on Hot Country Songs in 2009.

Prince scored one of his signature hits, “1999,” which partied to No. 12 on the Hot 100 in 1983. “7” peaked at, appropriately enough, No. 7 in 1993.

Smashing Pumpkins, meanwhile, carved out top 40 Hot 100 hits with “1979” in 1996 and “Thirty-Three” in 1997.

Fellow Tweeter @stephenaxlscott noticed the “1979” and “1999” connection between Smashing Pumpkins and Prince and added Swift to the mix. Alluding to the meaning of “22,” he notes how her year of birth – 1989 – falls exactly between those songs.

Or, instead of songs, should we call them … numbers?