Amy Winehouse, the beehived soul-jazz diva whose self-destructive habits overshadowed a distinctive musical talent, was found dead Saturday in her London home, police said. She was 27.
Winehouse shot to fame in 2006 with the album “Back to Black,” whose blend of jazz, soul, rock and classic pop was a global hit. It won five Grammys and made Winehouse – with her black beehive hairdo and old-fashioned sailor tattoos – one of music’s most recognizable stars. But her personal life, with its drug and alcohol abuse, eating disorders and destructive relationships, soon took over her career.
Police confirmed that a 27-year-old female was pronounced dead at the home in Camden Square northern London; the cause of death was not immediately known. London Ambulance Services said Winehouse had died before the two ambulance crews it sent arrived at the scene.
“We are deeply saddened at the sudden loss of such a gifted musician, artist and performer,” Monte Lipman Press, CEO of Universal Republic tells Billboard.com. “Our prayers go out to Amy’s family, friends and fans at this difficult time.”
Video: Amy Winehouse, “Rehab” video
The singer’s father, Mitch Winehouse, had arrived in New York this weekend to prepare for his U.S. performing debut Monday night at the Blue Note jazz club, but upon receiving news of his daughter’s death was heading back home to London to be with his family, his publicist Don Lucoff said.
An ambulance could be seen parked beneath the trees outside her London home, and the whole street was cordoned off by police tape. Officers kept onlookers away from the scene.
Singer and actress Kelly Osbourne, who helped Winehouse check into a drug addiction treatment facility in 2008, was one of many who grieved for the singer on Twitter.
“I cant even breath right now im crying so hard i just lost 1 of my best friends. i love you forever Amy and will never forget the real you!” Osbourne tweeted.
Last month, Winehouse canceled her European comeback tour after she swayed and slurred her way through barely recognizable songs in her first show in the Serbian capital of Belgrade. Booed and jeered off stage, she flew home and her management said she would take time off to recover.
Winehouse was last publicly seen on at a London concert on Wednesday when she joined her goddaughter Dionne Bromfield on stage. In that impromptu appearance, Winehouse danced with Bromfield and encouraged the audience to buy her album, before leaving the stage.
Video: Amy’s last performance (with goddaughter Dionne Bromfield)
“I didn’t go out looking to be famous,” Winehouse told the Associated Press when “Back to Black” was released. “I’m just a musician.” But in the end, the music was overshadowed by fame, and by Winehouse’s demons. Tabloids lapped up the erratic stage appearances, drunken fights, stints in hospital and rehab clinics. Performances became shambling, stumbling train wrecks, watched around the world on the Internet.
Released in Britain in the fall of 2006, “Back to Black” brought Winehouse global fame. Working with producers Mark Ronson and Salaam Remi and soul-funk group the Dap-Kings, Winehouse fused soul, jazz, doo-wop and, above all, a love of the girl-groups of the early 1960s with lyrical tales of romantic obsession and emotional excess.
“Back to Black” was released in the United States in March 2007, reaching No. 2 on the Billboard 200 in March 2008 and spending 78 total weeks on the chart. The album has sold 2.3 million to date according to Nielsen SoundScan, and went on to win five Grammy awards, including song and record of the year for “Rehab,” her single which peaked at No. 9 on the Billboard Hot 100 in June 2007 and has sold 1.7 million downloads. “Rehab” performed best at adult alternative radio, peaking at No. 7 on Billboard’s Triple A airplay chart in 2007; it also rose to No. 13 on Pop Songs and No. 14 on Adult Pop Songs.
Music critic John Aizlewood attributed her trans-Atlantic success to a fantastic voice and a genuinely original sound. “A lot of British bands fail in America because they give America something Americans do better – that’s why most British hip-hop has failed,” he said. “But they won’t have come across anything quite like Amy Winehouse.”
The songs on “Black to Black” detailed breakups and breakdowns with a similar frankness. Lyrically, as in life, Winehouse wore her heart on her sleeve.
Video: Amy’s 2008 Grammy performance
“I listen to a lot of ’60s music, but society is different now,” Winehouse said in 2007. “I’m a young woman and I’m going to write about what I know.”
Even then, Winehouse’s performances were sometimes shambolic, and she admitted she is “a terrible drunk.” She acknowledged struggling with eating disorders and told a newspaper that she had been diagnosed as manic depressive but refused to take medication. Soon accounts of her erratic behavior, canceled concerts and drink- and drug-fueled nights began to multiply.
Photographs caught her unsteady on her feet or vacant-eyed, and she appeared unhealthily thin, with scabs on her face and marks on her arms.
There were embarrassing videos released to the world on the Internet. One showed an addled Winehouse and Babyshambles singer Pete Doherty playing with newborn mice. Another, for which Winehouse apologized, showed her singing a racist ditty to the tune of a children’s song.
Winehouse’s managers went to increasingly desperate lengths to keep the wayward star on the straight and narrow. Before the June concert in Belgrade, her hotel was stripped of booze. It did no good, and the concert was painful to watch.
Though she was often reported to be working on new material, fans got tired of waiting for the much-promised followup to “Back to Black.”
Occasional bits of recording saw the light of day. Her rendition of The Zutons’ “Valerie” was a highlight of producer Mark Ronson’s 2007 album “Version,” and she recorded the pop classic “It’s My Party” for the 2010 Quincy Jones album “Q: Soul Bossa Nostra.” But other recording projects with Ronson, one of the architects of the success of “Back to Black,” came to nothing.
She also had run-ins with the law. In April 2008, Winehouse was cautioned by police for assault after she slapped a man during a raucous night out. The same year she was investigated by police, although not charged, after a tabloid newspaper published a video that appeared to show her smoking crack cocaine.
In 2010, Winehouse pleaded guilty to assaulting a theater manager who asked her to leave a family Christmas show because she’d had too much to drink. She was given a fine and a warning to stay out of trouble by a judge who praised her for trying to clean up her act.
In May 2007 in Miami, she married music industry hanger-on Blake Fielder-Civil, but the honeymoon was brief. That November, Fielder-Civil was arrested for an attack on a pub manager the year before. Fielder-Civil later pleaded guilty to assaulting barman James King and then offering him 200,000 pounds (US $400,000) to keep quiet about it.
Video: Amy Winehouse, “Back to Black” video
Winehouse stood by “my Blake” throughout his trial, often blowing kisses at him from the court’s public gallery and wearing a heart-shaped pin labeled “Blake” in her hair at concerts. But British newspapers reported extramarital affairs while Fielder-Civil was behind bars. They divorced in 2009.
Winehouse’s health often appeared fragile. In June 2008 and again in April 2010, she was taken to hospital and treated for injuries after fainting and falling at home. Her father said she had developed the lung disease emphysema from smoking cigarettes and crack, although her spokeswoman later said Winehouse only had “early signs of what could lead to emphysema.”
She left the hospital to perform at Nelson Mandela’s 90th birthday concert in Hyde Park in June 2008, and at the Glastonbury festival the next day, where she received a rousing reception but scuffled with a member of the crowd. Then it was back to a London clinic for treatment, continuing the cycle of music, excess and recuperation that marked her career.
Singer Tony Bennett recorded the classic pop standard “Body And Soul” with Winehouse at Abbey Road Studios in London this past March. Shortly after hearing of her death, Bennett released a statement:
“Amy Winehouse was an artist of immense proportions and I am deeply saddened to learn of her tragic passing. She was an extraordinary musician with a rare intuition as a vocalist and I am truly devastated that her exceptional talent has come to such an early end. She was a lovely and intelligent person and when we recorded together, she gave a soulful and extraordinary performance.
I was honored to have the opportunity to sing with her. It had been my sincere hope that she would be able to overcome the issues she was battling and I send my deepest sympathy to her father Mitchell, her entire family and all of those who loved her.”
(Additional reporting by Gary Trust and Gary Graff)
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