
Diane Warren is getting up there on the all-time list of top Oscar nominees for best original song. Her nod this year for “Applause,” sung by Sofia Carson in Tell It Like a Woman, is her 14th — a tally equaled by only seven other songwriters in the 89-year history of the category).
Moreover, this is the sixth year in a row she has been nominated, the longest continuous run streak of nominations in this category since Alan Bergman and his late wife Marilyn Bergman were nominated six years running from 1968-73. (Their streak was bookended by two winners – “The Windmills of Your Mind” and “The Way We Were.”)
Only two other songwriters in Oscar history have had six or more consecutive nods. Mack David, the older brother of Hal David (of Bacharach & David fame), was nominated every year from 1961-66. He never won. Sammy Cahn holds the all-time records both for the most consecutive years with a best original song nod (eight, from 1954-61) and most total nods in that category (26). Cahn won a record-tying four Oscars in the category.
If you’re looking for a common denominator among Warren’s best original song nominees – besides quality – good luck. Three of them reached No. 1 on the Billboard Hot 100, but several others didn’t even crack the chart. Three are from blockbuster action films, but several others are from smaller indie films that barely made a dent at the boxoffice.
Four of the 14 songs, including the current one, are from films directed by women. That’s far higher than the industry-wide percentage of films directed by women. The only director Warren has worked with on two nominated songs is Michael Bay. She wrote songs for his blockbusters Armageddon (“I Don’t Want to Miss a Thing”) and Pearl Harbor (“There You’ll Be”).
Warren received an honorary Oscar in November. She’s only the fifth person in Oscar history – and the first person from the world of music – to receive an honorary Oscar and a competitive Oscar nomination in the same awards year. Warren, 66, has the work ethic of a songwriter half her age, one still trying to make her mark. That could be her secret.
Let’s take a closer look at Warren’s best original song nominees. The films’ worldwide box-office receipts are taken from boxofficemojo.com (rounded off to the nearest million). In two cases where the film grossed less than $1 million, we show the exact tally.
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“Nothing’s Gonna Stop Us Now” from Mannequin (1987)
Performed by: Starship
Hot 100 peak: No. 1 (two weeks)
Film director: Michael Gottlieb
Film worldwide box-office: $43 million
Lost Oscar to: “(I’ve Had) The Time of My Life” from Dirty Dancing
Notes: Two years after being passed over for an Oscar nomination for her first hit song from a film (“Rhythm of the Night” from 1985’s The Last Dragon), Warren received her first nod for this spunky song, which she co-wrote with Albert Hammond (best known for his 1972 smash “It Never Rains in Southern California”). Starship’s single was Warren’s first No. 1 hit on the Hot 100 (whether from a film or not). Gloria Estefan teamed with the veteran band to perform the song on the Oscar telecast.
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“Because You Loved Me” from Up Close & Personal (1996)
Image Credit: Kevin Mazur/WireImage Performed by: Celine Dion
Hot 100 peak: No. 1 (six weeks)
Film director: Jon Avnet
Film worldwide box-office: $101 million
Lost Oscar to: “You Must Love Me” from Evita
Notes: Warren ended an eight-year gap between Oscar nominations with this exquisite ballad, which was her first solo-written song to receive an Oscar nod. (That’s how she usually rolls: To date, she has written 10 of her 14 nominated songs all by herself.) This was also her first song to receive a Grammy nod for song of the year. It is her only song to date to win a Grammy (for best song written specifically for a motion picture or for television – now called best song written for visual media).
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“How Do I Live” from Con Air (1997)
Performed by: Trisha Yearwood
Hot 100 peak: No. 23
Film director: Simon West
Film worldwide box-office: $224 million
Lost Oscar to: “My Heart Will Go On” from Titanic
Notes: This gave Warren back-to-back Oscar nods for the first time. (Though she had to know she had little chance of winning when she was going up against the what many regard as the film song of the decade.) This was her second song to receive a Grammy nod for song of the year. LeAnn Rimes’ version, recorded before Yearwood’s but nixed by Disney for inclusion in the film, reached No. 2 on the Hot 100 and logged a then-record 69 weeks on the chart. Having sung the version heard in the film, Yearwood got the plum assignment of singing it on the Oscars.
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“I Don’t Want to Miss a Thing” from Armageddon (1998)
Performed by: Aerosmith
Hot 100 peak: No. 1 (four weeks)
Film director: Michael Bay
Film worldwide box-office: $554 million
Lost Oscar to: “When You Believe” from The Prince of Egypt
Notes: Warren was Oscar-nominated for the third year in a row. This also became her third song to receive a Grammy nod for song of the year. This is Warren’s only song (whether from a film or not) to enter the Hot 100 at No. 1. A cover version by Mark Chesnutt topped Hot Country Songs for two weeks and rose to No. 17 on the Hot 100.
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“Music of My Heart” from Music of the Heart (1999)
Performed by: Gloria Estefan and *NSYNC
Hot 100 peak: No. 2
Film director: Wes Craven
Film worldwide box-office: $15 million
Lost Oscar to: “You’ll Be in My Heart” from Tarzan
Notes: Warren was Oscar-nominated for the fourth year in a row. This was getting to be a habit! This was almost a title song, but the song title and film title aren’t identical. After guesting on Starship’s Oscar performance of “Nothing’s Gonna Stop Us Now,” Estefan returned to the Oscar stage to sing this song with *NSYNC. She’s the only artist to perform two Warren songs on the Oscar telecast.
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“There You’ll Be” from Pearl Harbor (2001)
Performed by: Faith Hill
Hot 100 peak: No. 10
Film director: Michael Bay
Film worldwide box-office: $449 million
Lost Oscar to: “If I Didn’t Have You” from Monsters, Inc.
Notes: After a one-year gap without a nomination (music branch members passed over Warren’s “Can’t Fight the Moonlight” from 2000’s Coyote Ugly for a nod), Warren was back with this song from Pearl Harbor, director Bay’s follow-up to Armageddon. This is Warren’s most recent top 10 hit on the Hot 100, whether written for a film or not.
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“Grateful” from Beyond the Lights (2014)
Performed by: Rita Ora
Hot 100 peak: N/A
Film director: Gina Prince-Bythewood
Film worldwide box-office: $15 million
Lost Oscar to: “Glory” from Selma
Notes: Warren ended a 13-year gap between nominations with this song. She wasn’t on an extended vacation. Music branch members just didn’t respond in the same way to such Warren songs as “You Haven’t Seen the Last of Me” from Burlesque, “Born to Be Somebody” from Justin Bieber: Never Say Never and “Silver Lining (Crazy ’Bout You) from Silver Linings Playbook — all of which nonetheless received Grammy nods for best song written for visual media. This was Warren’s first best song nominee from a film directed by a female director.
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“Til It Happens to You” from The Hunting Ground (2015)
Image Credit: Kevin Winter/GI Performed by: Lady Gaga
Hot 100 peak: No. 95
Film director: Kirby Dick
Film worldwide box-office: $411,000
Lost Oscar to: “Writing’s on the Wall” from Spectre
Notes: Warren was nominated for the second year in a row with this song, on which she shared the songwriting credit with Lady Gaga (who would go to beat Warren in this category for the 2018 awards year, and with whom Warren is competing again this year). The Hunting Ground is a documentary about the incidence of sexual assault on college campuses in the U.S. and the failure of college administrations to deal with it adequately. The doc aired on CNN, leading this song to win a Primetime Emmy. The Oscars have since tightened up eligibility rules to prevent songs from being eligible for both Emmys and Oscars.
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“Stand Up for Something” from Marshall (2017)
Performed by: Andra Day and Common
Hot 100 peak: NA
Film director: Reginald Hudlin
Film worldwide box-office: $10 million
Lost Oscar to: “Remember Me” from Coco
Notes: As you can see, Warren wasn’t nominated for 2016. If she had been, she would currently be celebrating her ninth consecutive nomination (topping Sammy Cahn’s aforementioned eight-year streak). Warren co-wrote this song with Common, who had beat her for the Oscar three years previously. This was Warren’s third best original song nominee on which she had a co-writer.
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“I’ll Fight” from RBG (2018)
Performed by: Jennifer Hudson
Hot 100 peak: NA
Film director: Betsy West
Film worldwide box-office: $14 million
Lost Oscar to: “Shallow” from A Star Is Born
Notes: This was Warren’s second nomination in a row. It was her second nomination in four years for a song written for a documentary. This one is about the late Supreme Court Justice Ruth Bader Ginsburg.
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“I’m Standing With You” from Breakthrough (2019)
Performed by: Chrissy Metz
Hot 100 peak: N/A
Film director: Roxann Dawson
Film worldwide box-office: $50 million
Lost Oscar to: “(I’m Gonna) Love Me Again” from Rocketman
Notes: This was Warren’s third nomination in a row; her second in a row from a film directed by a female director.
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“Io sì (Seen)” from The Life Ahead (2020)
Performed by: Laura Pausini
Hot 100 peak: NA
Film director: Edoardo Ponti
Film worldwide box-office: N/A
Lost Oscar to: “Fight for You” from Judas and the Black Messiah
Notes: This was Warren’s fourth nomination in a row. She collaborated on the song with Laura Pausini, making this her fourth best song nominee on which she had a collaborator. The two teamed to perform the song on a pre-show before the Oscars. (The Oscars, to save time on the telecast, relegated performances of the nominated songs to a pre-show, something they hopefully won’t repeat.) This is Warren’s only song performed in a foreign language (Italian) to receive a nomination.
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“Somehow You Do” from Four Good Days (2021)
Image Credit: Neilson Barnard/GI Performed by: Reba McEntire
Hot 100 peak: N/A
Film director: Rodrigo Garcia
Film worldwide box-office: $864,000
Lost Oscar to: “No Time to Die” from No Time to Die
Notes: This was Warren’s fifth nomination in a row. This marked the second time she lost to a song from a James Bond film. She had previously lost to “Writing’s on the Wall” from Spectre.
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“Applause” from Tell It Like a Woman (2022)
Performed by: Sofia Carson
Hot 100 peak: N/A
Film directors: Silvia Carobbio, Catherine Hardwicke, Taraji P. Henson, Mipo Oh, Lucia Puenzo, Maria Sole Tognazzi, Leena Yadav
Film worldwide box-office: N/A
Oscar outcome: To be determined
Notes: This is Warren’s sixth nomination in a row. It’s the fourth time she’s been nominated for a film directed by a woman – or in this case, seven women. Tell It Like a Woman is an anthology of seven short stories directed by and starring female actors from around the world. Its stars include Marcia Gay Harden, Eva Longoria, Jennifer Hudson (who sang Warren’s “I’ll Fight” from RBG) and Pauletta Washington.