Previously one-half of the Queen and King — a duo she formed with former touring mate Greg Graves that gained recognition for their hand-spun, largely-acoustic covers — Shumate ventured off on her own this year, now crafting electropop with a glittery undercurrent under the moniker Stasney Mav.
Her new output as Mav is a largely one-woman affair: she sings, plays and writes her material, and is en route to self-producing her own tracks.
“All my friends say that I dodged a bullet/But it feels like I straight up took it in the chest,” Mav sighs, dejected, over a brisk, pulsing synth line. A familiar overture of desire soured by emotional distance, it’s a tale of queer love fizzled out and reignited in the wee hours at the club, maybe after a shot or two too many.
"I think most people have been in a relationship where they know the best thing (for both people) is to end it,” Mav explains. “But that doesn't mean the hurt isn't overwhelming.”
“Bullet” hits the closest when the imagery turns inward, her muscle memory and her loneliness collide in an overwhelming moment of weakness. “Here I am/Picking up the phone, 713,” she sings to herself, like she’s done this a million times before to a partner she left behind in Houston. She gains her composure: “Guess I’m better off saving my love for me.”
Heartache, amid the emotional wreckage, warrants new opportunities for discovery and introspection, and, for Mav, “Bullet” couldn’t have come at a more vital turning point.
Stasney Mav is playing The OutLoud Festival in Nashville on Sept. 8, headlined by Big Freedia, Betty Who and Cupcakke.
Check out the gleaming “Bullet” below: