Weaver and Ayer first had to sell Netflix on the album -- the platform has never released an original feature soundtrack. “It came down to, ‘Is Netflix going to drink our Kool-Aid?’” says Weaver. He took yet another leap by linking “Broccoli” rapper D.R.A.M. with rock icon Young on “Campfire.” “Soundtracks can rile artists to do things that they wouldn't traditionally do on their own projects,” he says.
STEP TWO: THE TWEAKS
Ayer admits the record took some juggling: “You’re always cutting and evolving the movie, so you’re trying to build a house out of parts that keep changing.” As a result, each track went through several iterations -- Ayer’s favorite, “Home,” started as a solo song until Machine Gun Kelly, Bebe Rexha and X Ambassadors tried it as a trio for kicks. “It was like unwrapping a present,” says Ayer. “It kept getting better.”
STEP THREE: THE MESSAGE
Bright is set in a fictional world, but Bastille’s Dan Smith says its themes of social injustice hit home. “We live in a time where the world is as on its head as [in] the film.” That inspired his dreamy, string-laden track, “World Gone Mad.” After seeing an early edit of the film in New York, he says, “Will Smith pulls out a gun, everything is in slow motion, [then] my voice came in. I was like, ‘This is nuts!’”
This article originally appeared in the Dec. 9 issue of Billboard.