Fans who follow Young will find a more direct connection with the producer than ever before. For the first time in his life, he's making all his own decisions. He's back to being an independent artist, and a solo one at that. He took the name YehMe2, a subtle nod to the watermark sample ripped from Clipse's “Mr. Me Too,” that also serves as a straight-forward, self-affirming statement.
“I really want to get focused,” he says. “(YehMe2) is 100 percent my vision, my sound, and just authentically me as a person. There's a lot of me and who I am in the music, stuff I listen to growing up and just everything that influenced my past, present, and future that's coming across. That's definitely a huge part of this for sure … And then as far as my communication with the fans, whether it be me on Twitter or me with music, they just know I'm talking to them directly.”
Young cut the chord with Floss in an Instagram announced in December of 2016. He played his final shows with Floss in Australia in January, but the roots of his new solo project started showing last May.
His busy touring schedule put his brain through a “bottle neck.” He had all these ideas for new music or edits of favorite tunes old and new. It was driving him crazy, so he challenged himself to make one beat a day, every day, for the whole month of May. He'd post them all immediately after completion to Instagram, whatever shape they were in, whatever reaction they might get. It wasn't about perfection. It was about repetition, the simple act of forcing oneself to put the sounds in his head out into the world.
He got into a rhythm, and eventually found himself pumping out more musical edits than he knew what to do with. He dropped 30 of them into a 50-minute mix called Steal This Mixtape, a genre-hopping open-format exploration of Young the man that mixes and matches hits from Gucci Mane with Nine Inch Nails, Justice, and System of a Down. Gwen Stefani somehow makes sense with Dizzee Rascal and Frank Sinatra.
“There's literally no one there to stop me from being able to do whatever I want,” Young says. “I'm having so much fun with it, and I'm just really enjoying being able to get my vision up front and then keep the train on the rails.”
It's all still deeply rooted in the intersection of dance and hip-hop, where Young spent most of his life, and it's nothing Floss fans won't be able to understand or relate to. But it's also none of the things about the trap genre that Young never really meant to indulge. He's stepping back into the sounds that first inspired Flosstradamus -- sampling, heavy rap beats -- while simultaneously stepping away from the heavy, aggressive, almost dubstep-esque sound that trap became.
Today, he shares his first full tune as YehMe2, a remix of Gucci Mane and Drake's “Both.” It comes in light and hyphy, something you can move your feet to at a party. It's got a bit of that classic festival trap sound on the drop, but it keeps things colorful. It's a track that inspires you to have fun, because really, shouldn't that be the point? Where's the fun in formulas you've already figured out?
“It's totally new to me, but I'm in a headspace right now where I feel like I can take it on,” Young says. “I would't have left if I didn't feel capable, and that's the best part about this. Not only am I excited to have that freedom again, I'm also excited to see what I can do.”