The critically acclaimed film, produced by Philip Lord and Christopher Miller, reveals a shared universe where there can be more than one Spider-Man, and introduces Brooklyn teen Miles Morales (Shameik Moore) as the latest hero to wear the mask. Spider-Verse is unique for featuring a superhero who is half Puerto Rican and half African-American. It currently boasts a 98 percent rating on Rotten Tomatoes.
The Mule, directed by and starring Eastwood, placed No. 2 Friday with $5.9 million from 2,588 theaters for a weekend debut in the $17 million-$18 million range. It is playing notably older, with 78 percent of the audience over the age of 35.
The crime drama, which marks the first time Eastwood has appeared onscreen since 2012's Trouble With the Curve, also stars Dianne Wiest, Michael Pena, Andy Garcia, Laurence Fishburne, Alison Eastwood, Taissa Farmiga and Ignacio Serricchio. Bradley Cooper also has a role in the movie, which earned an A-CinemaScore.
The Mule tells the story of Earl Stone (Eastwood), a man in his 80s who is broke, alone and facing the foreclosure of his business when he is offered a job that simply requires him to drive. What he discovers is that he has just signed on as a drug courier for a Mexican cartel. Stone does the job so well that his cargo increases exponentially, and he is assigned a handler.
Mortal Engines is looking at a fifth-place finish for the weekend with a projected $7 million-$9 million after earning an estimated $2.8 million on Friday from 3,103 theaters.
Mortal Engines is a post-apocalyptic steampunk thriller directed by Christian Rivers from an adapted script by Jackson, Fran Walsh and Philippa Boyens. Hugo Weaving, Hera Hilmar, Robert Sheehan, Jihae, Ronan Raftery star.
The big-budget film, which cost Universal and MRC Capital at least $100 million to produce, is tracking to debut in the $10 million to $17 million range. Overseas, it has collected roughly $20 million so far.
MRC is a division of Valence Media, which also owns The Hollywood Reporter.
Barry Jenkins' If Beale Street Could Talk looks to be the star of the specialty box office, and is on course to post a location average of $60,000 in its debut in four cinemas in Los Angeles and New York.
This article originally appeared on The Hollywood Reporter.