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The Complete List of 2016 Music Emmy Nominations

The cast of Empire.
James Dimmock/FO

The cast of Empire.

The 2016 Emmy nominations were announced Thursday morning (July 14), and in addition to honoring your favorite series and stars, the nods also paid tribute to the music that holds those shows together.

In the outstanding original music and lyrics category, Empire’s “Good People,” The Hunting Ground’s "'Till It Happens to You" (performed by one Lady Gaga), Galavant’s “A New Season,” Crazy Ex-Girlfriend’s “Settle for Me” and Garfunkel and Oates: Trying to Be Special’s “Frozen Lullaby” are all up for the prize.

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For outstanding original main title theme music, this year’s nominations include Crazy Ex-Girlfriend, Marvel’s Jessica Jones, Narcos, The Night Manager, Sense8 and The Whispers.

Taraji P. Henson, Audra McDonald Nab Emmy Nominations

See the full list of music and sound Emmy nominations below:

Outstanding Music Composition for a Series (Original Dramatic Score)

- Bates Motel • Forever • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin Productions (Chris Bacon, Music by)
Chef's Table • Grant Achatz • Netflix • Boardwalk Pictures for Netflix (Duncan Thum, Music by)
Limitless • Pilot • CBS • CBS Studios, Inc. in association with K/O Paper Products and Relativity Television (Paul Leonard-Morgan, Music by)
Minority Report • Pilot • FOX • 20th Century Fox Television, Paramount Television, Amblin Television (Sean P. Callery, Music by)
Mr. Robot • eps1.0_ hellofriend. mov • USA • USA Network in association with Universal Cable Productions and Anonymous Content (Mac Quayle, Music by)
Penny Dreadful • And They Were Enemies • Showtime • SHOWTIME Presents in association with SKY (Abel Korzeniowski, Music by)

Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score)

- All The Way • HBO • HBO Films in association with Amblin Television, Tale Told Productions, Moonshot Entertainment and Everyman Pictures (James Newton Howard, Music by)
Descendants • Disney Channel • Bad Angels Productions, Ltd. / 5678 Productions / Disney Channel (David Lawrence, Music by)
Fargo • Loplop • FX Networks • MGM Television, FX Productions (Jeff Russo, Music by)
Jesse Stone: Lost In Paradise • Hallmark Channel • Sony Pictures Television (Jeff Beal, Music by)
The Night Manager • Episode 2 • AMC • Ink Factory (Victor Reyes, Music by)
War & Peace • Part 1 • Lifetime • BBC Cymru Wales, Weinstein Television, LLC, Lookout Point and BBC Worldwide for Lifetime (Martin Phipps, Music by)

Outstanding Music Direction

- Danny Elfman's Music From The Films Of Tim Burton (Live From Lincoln Center) • PBS • A Lincoln Center Media Production (Danny Elfman, Music Direction)
Jazz At The White House • ABC • Don Mischer Productions (John Beasley, Music Direction)
Sinatra: Voice For A Century (Live From Lincoln Center) • PBS • A Lincoln Center Media Production (Alan Gilbert, Music Direction)
Smithsonian Salutes Ray Charles: In Performance At The White House • PBS • CoMedia, Inc. and WETA (Rickey Minor, Music Direction; Christian McBride, Music Direction)
A Very Murray Christmas • Netflix • American Zoetrope, South Beach Productions, Devoted Productions, JAX Media and Netflix (Paul Shaffer, Music Direction)

Outstanding Original Music and Lyrics

- Crazy Ex-Girlfriend • I'm Going on a Date with Josh's Friend! / Song Title: Settle For Me • CW • CBS Television Studios and Warner Bros. Television (Adam Schlesinger, Music & Lyrics by; Rachel Bloom, Lyrics by; Jack Dolgen, Lyrics by)
Empire • A Rose By Any Other Name / Song Title: Good People • FOX • Imagine Entertainment in association with 20th Century Fox Television (Jim Beanz, Music & Lyrics by)
Galavant • A New Season aka Suck It Cancellation Bear / Song Title: A New Season • ABC • ABC Studios (Alan Menken, Music by; Glenn Slater, Lyrics by)
Garfunkel and Oates: Trying To Be Special • Song Title: Frozen Lullaby • Vimeo • Divide / Conquer (Riki Lindhome, Music & Lyrics by; Kate Micucci, Music & Lyrics by)
The Hunting Ground • Song Title: 'Til It Happens To You • CNN • Chain Camera Pictures (Diane Warren, Music & Lyrics by)

Outstanding Original Main Title Theme Music

- Crazy Ex-Girlfriend • CW • CBS Television Studios and Warner Bros. Television (Rachel Bloom, Theme by; Adam Schlesinger, Theme by)
Marvel's Jessica Jones • Netflix • Marvel Television in association with ABC Studios for Netflix (Sean P. Callery, Theme by)
Narcos • Netflix • Gaumont International Television for Netflix (Rodrigo Amarante, Theme by)
The Night Manager • AMC • Ink Factory (Victor Reyes, Theme by)
Sense8 • Netflix • Unpronounceable for Netflix (Johnny Klimek, Theme by; Tom Tykwer, Theme by)
The Whispers • ABC • Clickety-Clack Productions, Amblin Television, ABC Studios (Robert Duncan, Theme by)

Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera)

- Anthony Bourdain: Parts Unknown • Ethiopia • CNN • Zero Point Zero Productions (Benny Mouthon, Re-Recording Mixer)
Deadliest Catch • Carpe Diem • Discovery Channel • Original Productions, LLC for Discovery Channel (Bob Bronow, C.A.S., Re-Recording Mixer)
- Making A Murderer • Lack Of Humility • Netflix • A Synthesis Films Production for Netflix (Leslie Shatz, Re-Recording Mixer)
Vice • Fighting Isis • HBO • HBO Entertainment in association with Vice and Bill Maher Productions (Erik Schuiten, Re-Recording Mixer)
- What Happened, Miss Simone? • Netflix • A RadicalMedia Production in association with Moxie Firecracker for Netflix (Tony Volante, Re-Recording Mixer; Tammy Douglas, Production Mixer)

Outstanding Sound Editing for a Series

- Black Sails • XX • Starz • Platinum Dunes and Quaker Moving Pictures in association with Starz Originals (Benjamin Cook, Supervising Sound Editor; Sue Cahill, Supervising Dialogue Editor; Stefan Henrix, ADR Supervisor; Jeffrey A. Pitts, Sound Effects Editor; Tim Tuchrello, Sound Effects Editor; Brett Voss, Sound Effects Editor; Michael Baber, Music Editor; Jeffrey Wilhoit, Foley Artist; Dylan Tuomy-Wilhoit, Foley Artist)
- Game of Thrones • The Door • HBO • HBO Entertainment in association with Bighead, Littlehead; Television 360 and Startling Television (Tim Kimmel, MPSE, Supervising Sound Editor; Tim Hands, Supervising ADR Editor; Paul Bercovitch, Supervising Dialogue Editor; Paula Fairfield, Sound Designer; Bradley C. Katona, Sound Effects Editor; Michael Wabro, ADR Editor; David Klotz, Music Editor; Brett Voss, Foley Editor; Jeffrey Wilhoit, Foley Artist; Dylan Tuomy-Wilhoit, Foley Artist; Gotham • Azrael • FOX • Warner Bros. Television; George Haddad, Supervising Sound Editor; Julie Altus, Sound Editor; Chad J. Hughes, Sound Editor; Dale Chaloukian, Sound Editor; Ashley Revell, Music Editor; Joseph T. Sabella, Foley Artist; Joan Rowe, Foley Artist)
Marvel's Daredevil • New York's Finest • Netflix • Marvel Television in association with ABC Studios for Netflix (Lauren Stephens, Supervising Sound Editor; Jordan Wilby, Sound Designer; Jonathan Golodner, Sound FX Editor; Christian Buenaventura, Dialogue Editor; Greg Vines, Music Editor; Zane Bruce, Foley Artist; Lindsay Pepper, Foley Artist)
- Vikings • The Last Ship • HISTORY • An Octagon and Take 5 production in association with Metro-Goldwyn-Mayer for History (Jane Tattersall, Supervising Sound Editor; David McCallum, Supervising Dialogue Editor; Dale Sheldrake, Supervising ADR Editor; Steve Medeiros, Sound Effects Editor; Brennan Mercer, Sound Effects Editor; Yuri Gorbachow, Music Editor; Andy Malcolm, Foley Artist; Goro Koyama, Foley Artist)

Outstanding Sound Editing for a Limited Series, Movie or Special

- American Horror Story: Hotel • Checking In • FX Networks • 20th Century Fox Television, FX Productions (Gary Megregian, MPSE, Supervising Sound Editor; Steve M. Stuhr, Dialogue Editor; Jason Krane, MPSE, Dialogue Editor; Timothy A. Cleveland, Sound Effects Editor; Paul Diller, MPSE, Sound Effects Editor; David Klotz, Music Editor; Noel Vought, Foley Artist; Ginger Geary, Foley Artist)
- Fargo • The Castle • FX Networks • MGM Television, FX Productions (Kurt N. Forshager, Co-Supervising Sound Editor; Joe Bracciale, Co-Supervising Sound Editor; Robert Bertola, Sound Effects Editor; Paul Shikata, Sound Effects Editor; Mark Bensi, Music Editor; John Elliot, Foley Artist)
The Night Manager • Episode 5 • AMC • Ink Factory (Adam Armitage, Effects Editor; Howard Bargroff, Sound Editor; Alex Sawyer, Dialogue Editor; Peter Melemendjian, Dialogue Editor; Barnaby Smith, Foley Artist)
- Roots • Night Two • HISTORY • An A+E Studios Production in association with Marc Toberoff Productions and The Wolper Organization (Gary Megregian, MPSE, Supervising Sound Editor; Stuart Martin, ADR Supervisor; Andrew Dawson, ADR Editor; Steve M. Stuhr, Dialogue Editor; Jason Krane, MPSE, Dialogue Editor; Christian Bueneventura, Dialogue Editor; Timothy A. Cleveland, Sound Effects Editor; Paul Diller, MPSE, Sound Effects Editor; John Snider, Sound Effects Editor; Marcello Dubaz, Sound Effects Editor; Michael Sana, Sound Effects Editor; Daniel Salas, Sound Effects Editor; Matt Shelton, Music Editor; Noel Vought, Foley Artist; Ginger Geary, Foley Artist)
- Sherlock: The Abominable Bride (Masterpiece) • PBS • Hartswood Films for BBC One in co-production with MASTERPIECE (Douglas Sinclair, Supervising Sound Editor; Paul McFadden, Dialogue Editor; Jonathan Joyce, Sound Editor; Stuart McCowan, Sound Editor; Howard Bargroff, Sound Editor; Rael Jones, Music Editor; Jamie Talbut, Foley Editor; Julie Ankerson, Foley Artist)

Outstanding Sound Editing for a Nonfiction Program (Single or Multi-Camera)

- Anthony Bourdain: Parts Unknown • Okinawa • CNN • Zero Point Zero Productions (Brian Bracken, Sound Editor; Nick Brigden, Co-Sound Designer)
- Cartel Land • A&E • Our Time Projects and Documentary Group in association with Whitewater Films for A&E Indie Films (Ryan Collison, Sound Editor; Jonathan Fang, Sound Editor; Leslie Bloome, Sound Editor; Mark Filip, Sound FX Editor; Billy Orrico, Dialogue Editor; Sean Garnhart, Sound Designer)
He Named Me Malala • National Geographic Channel • Fox Searchlight Pictures in association with Image Nation Abu Dhabi and Participant Media (Skip Lievsay, Supervising Sound Editor; PK Hooker, Sound Editor; Susan Dubek, Dialogue Editor; Bill Bernstein, Music Editor)
Making A Murderer • Lack Of Humility • Netflix • A Synthesis Films Production for Netflix (Daniel Ward, Sound Editor; Leslie Bloome, Foley Artist)
- What Happened, Miss Simone? • Netflix • A RadicalMedia Production in association with Moxie Firecracker for Netflix (Joshua L. Pearson, Sound Editor; Dan Timmons, Sound Designer)

Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)

- Better Call Saul • Klick • AMC • Sony Pictures Television / Gran Via Productions (Larry B. Benjamin, Re-Recording Mixer; Kevin Valentine, Re-Recording Mixer; Phillip W. Palmer, Production Mixer)
Downton Abbey • Episode 9 • PBS • A Carnival Films/MASTERPIECE co-production in association with NBCUniversal (Nigel Heath, Re-Recording Mixer; David Lascelles, Production Mixer)
Game Of Thrones • Battle Of The Bastards • HBO • HBO Entertainment in association with Bighead, Littlehead; Television and Startling Television (Onnalee Blank, C.A.S., Re-Recording Mixer; Mathew Waters, C.A.S., Re-Recording Mixer; Richard Dyer, Production Mixer; Ronan Hill, C.A.S., Production Mixer)
House Of Cards • Chapter 52 • Netflix • Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix (Scott R. Lewis, Re-Recording Mixer; Nathan Nance, Re-Recording Mixer; Lorenzo Millan, Production Mixer)
Mr. Robot • eps1.5_br4ve-trave1er.asf • USA • USA Network in association with Universal Cable Productions and Anonymous Content (John W. Cook II, Re-Recording Mixer; Bill Freesh, Re-Recording Mixer; Timothia Sellers, Production Mixer; Andrew Morgado, Foley/ADR Mixer)
Ray Donovan • Exsuscito • Showtime • SHOWTIME Presents, The Mark Gordon Company, David Hollander Productions (Robert Edmondson, Re-Recording Mixer; R. Russell Smith, Re-Recording Mixer; Harrison 'Duke' Marsh, Production Mixer)

Outstanding Sound Mixing for a Limited Series or Movie

- Fargo • Gift Of The Magi • FX Networks • MGM Television, FX Productions (Martin Lee, Re-Recording Mixer; Kirk Lynds, Re-Recording Mixer; Michael Playfair, C.A.S., Production Mixer) 
The Night Manager • Episode 5 • AMC • Ink Factory (Howard Bargroff, Re-Recording Mixer; Aitor Bernguer, Production Mixer)
The People v. O.J. Simpson: American Crime Story • From The Ashes Of Tragedy • FX Networks • Fox 21 Television Studios, FX Productions (Doug Andham, C.A.S., Re-Recording Mixer; Joe Earle, C.A.S., Re-Recording Mixer; John Bauman, C.A.S., Production Mixer)
Sherlock: The Abominable Bride (Masterpiece) • PBS • Hartswood Films for BBC One in co-production with MASTERPIECE (Howard Bargroff, Re-Recording Mixer; John Mooney, Production Mixer; Peter Gleaves, ADR Mixer; Nick Wollage, Music Mixer)
True Detective • Down Will Come • HBO • HBO Entertainment in association with Neon Black, Anonymous Content, Parliament of Owls and Passenger (Daniel J. Leahy, Re-Recording Mixer; Steve Pederson, Re-Recording Mixer; Geoffrey Patterson, Production Mixer; Ron Bedrosian, ADR Mixer)

Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

- Modern Family • The Storm • ABC • Picador Productions and Steven Levitan Productions in association with 20th Century Fox Television (Brian R. Harman, Re-Recording Mixer; Dean Okrand, Re-Recording Mixer; Stephen A. Tibbo, Production Mixer) 
Mozart In The Jungle • Nothing Resonates Like Rhinoceros Foreskin • Amazon • Amazon Studios (Andy D'Addario, Re-Recording Mixer; Thomas Varga, Production Mixer: Bill Higley, ADR Mixer: Chris Navarro, ADR Mixer)
- Silicon Valley • Bachmanity Insanity • HBO • HBO Entertainment in association with Judgemental Films, Alec Berg and 3 Arts Entertainment (Todd Beckett, Re-Recording Mixer; Elmo Ponsdomenech, Re-Recording Mixer; Ben Patrick, C.A.S., Production Mixer)
The Simpsons • Halloween of Horror • FOX • Gracie Films in association with 20th Century Fox Television (Mark Linden, Re-Recording Mixer; Tara Paul, Re-Recording Mixer)
Veep • Congressional Ball • HBO • HBO Entertainment (John W. Cook II, Re-Recording Mixer; Bill Freesh, Re-Recording Mixer; Bill MacPherson, Production Mixer)

Outstanding Sound Mixing for a Variety Series or Special

Danny Elfman's Music From The Films Of Tim Burton (Live From Lincoln Center) • PBS • A Lincoln Center Media Production (Ken Hahn, Re-Recording Mixer; Paul Bevan, Production Mixer)
Grease: Live • FOX • Paramount Television (J. Mark King, Production Mixer; Biff Dawes, Music Mixer; Eric Johnston, Playback and SFX Mixer; Bob LaMasney, Audience Sweetener; Pablo Munguia, Protools Playback Music Mixer; Kevin Wapner, Foldback Mixer; John Protzko, Foldback Mixer; John Garlick, PA Mixer; Barrance D. Warrick, Monitor Mixer)
Last Week Tonight With John Oliver • Episode 225 • HBO • HBO Entertainment in association with Sixteen String Jack Productions and Avalon Television (Charlie Jones, Music Mixer; Steve Watson, Audio Mixer; Steve Lettie, PA Mixer; Tony Rollins, Monitor Mixer)
The Oscars • ABC • The Academy of Motion Picture Arts and Sciences (Paul Sandweiss, Broadcast Production Mixer; Tommy Vicari, Broadcast Music Mixer; Marc Repp, Broadcast Music Mixer; Pablo Munguia, Pro Tools Mixer; Michael Parker, Monitor Mixer; Tom Pesa, Orchestra Monitor Mixer; Patrick Baltzell, FOH Mixer; Kristian Pedregon, Post Production and Package Mixer; Bob LaMasney, Audience Sweetener)
The Voice • Episode 1018A • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon Television (Michael Abbott, Broadcast Production Mixer; Randy Faustino, Broadcast Music Mixer; Kenyata Westbrook, Reality Supervising Production Mixer; John Koster, Production Reality Mixer; Robert P. Matthews, Jr., Production Reality Mixer; Sterling Cross, Production Reality Mixer; Ryan Young, Re-Recording Mixer; Brian Riordan, Re-Recording Mixer; Tim Hatayama, Re-Recording Music Mixer; Eric White, Re-Recording Music Mixer; William Dietzman, Monitor Mixer/Music Mixer Reality; Eddie Marquez, Interstitial Playback Music Mixer; Christian Schrader, Supplemental Audio Mixer; Andrew Fletcher, House PA Mixer)