"The truth is … that was Ben’s idea and Ben’s expertise because he started as a club owner and a concert promoter," Allen says. "So where they portray Ben as kind of following James Brown’s lead, it was the other way around. Everything that Brown knew or learned or accomplished was through Ben Bart’s tutelage." Bart’s support for his talented client isn’t accurately portrayed, making it seem "as if Brown gave Ben a free ride," Allen adds.
Get On Up also diminishes the elder Bart’s role in Brown’s discovery, Bart’s son says. The film suggests that producer/talent scout Ralph Bass discovered Brown, something the younger Bart calls "totally inaccurate."
In reality, Jack Bart says his father got a call from a club owner in Atlanta who told him, "There’s a young fellow down here by the name of James Brown that is a great dancer and … he’s got a lot of potential. You should come down and take a look at him."
Ben Bart then flew to Atlanta, saw Brown and signed him. "That’s how James Brown was discovered," Jack Bart says. By way of comparison, the movie doesn’t even introduce the character of Ben Bart until he meets with James Brown later in his career and urges him to go solo.
To be fair, Bass has been credited by many for discovering Brown, with even the late musician noting in his autobiography that Bass signed him and his then band the Famous Flames before Bart came on board.
Bart’s son and Allen claim they were never contacted by anyone affiliated with the production, meaning Dan Aykroyd's portrayal of the elder Bart may be due to a lack of information.
There are some parts of the film that ring true, Jack Bart says…
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