The band was reluctant to record a song they hadn’t written. "We knocked it back a number of times,” says Kerr. Producer/composer Keith Forsey was such a fan of the band and so fixated on the notion of them recording his song that he flew to London to persuade them. “We liked Keith more than his song,” Kerr admits. Nevertheless, “Don’t You (Forget About Me)” gave the band its first U.S. No. 1.
Kerr’s interests have diversified in recent years. He was active on the board of Glasgow soccer team Celtic FC and opened Hotel Villa Angela in Taormina, Sicily. But Simple Minds -- whose 40th anniversary is only a few years away -- are still capable of drawing crowds in Europe. And they're hoping America hasn’t forgotten about them.
Jim Kerr talked to THR about his band’s return to American soil, comparisons with U2, longevity and the state of his knees.
THR: It’s been a while.
Jim Kerr: It’s embarrassing for us in respect of the people in the States and North America who like the band and have hung in with us. We’ve got it all to make up to them. The band’s in tremendous form. It’s not like we sat in some plateau and now we’re coming off the shelf and we’re shaking off the cobwebs like old football players who haven’t played in ten years.
THR: On previous American tours, Simple Minds played arenas. How do you look back on those days?
Jim Kerr: When you go though the door to the big league, your band is no longer your band. I wouldn’t want anyone to feel sorry for us. We’d worked and we’d gone for it. We were pretty gung-ho. I liked our attitude. When we decided we wanted to do something, we did it 100 percent. When we decided we wanted to make it big in America, we did it. We had a rather amazing can-do attitude. Looking back now, at the end of the '80s, one of the things we didn’t have was endless energy. That was 13 years of nonstop recording, writing, rehearsing, touring. The wheels were staring to come off, but we didn’t know that.
THR: You were compared to U2 a lot in those days. But they've since transformed themselves into a sort of self-aware ironic commentary about being in a band. You didn’t really change.
Jim Kerr: With respect to them, because they’re the greatest live band that I’ve seen, if you read the book that was out recently about The Unforgettable Fire, when they worked with Brian Eno and Daniel Lanois for the first time, both of them comment about how [U2] went to them and played them New Gold Dream and said, “We want some of that." I think that speaks volumes. It’s really easy to talk about U2, but there are very few bands that have that talent and all that intelligence, and I think when they came to the start of the '90s, when all the bands that had broken through in the '80s were about to find it tough, they regrouped and brought in an extra brain. Whereas our thing was falling apart; members were leaving. You can’t compare beyond that.
THR: These North American shows are billed as a "Greatest Hits" tour. Is it a challenge to muster up the enthusiasm to play those well-worn songs?
Jim Kerr: We’re doing two sets. There’s no support and we’re playing songs from everywhere. A song from Empires and Dance like “This Fear of Gods" or “Premonition,” there’s every chance they’ll hear that, although they’re hardly greatest hits. A good Simple Minds show to me is if the audience hears the songs they expect to hear. The hardcore will be happy they’ll hear songs they never thought they’d hear. We want to give a whole sense of the journey the band’s been on and, within that, show that there’s a chapter to come.
THR: Despite your lengthy hiatus, the biggest-drawing live acts from when you last played here are pretty much the same big-drawing live acts today.
Jim Kerr: I’m trying to think why that is. It used to be every three or four years another would come through and they would be the big thing. It’s so rare now. With bands of our generation -- I sound like an old man -- it was three or four albums before you broke though, and therefore you learned your trade and you could live up to the hype. We bought into artists and their career because there were less things to do. So you immersed yourself, you became a part of a movement of people who liked the same band, you salivated at every little crumb of new information. Music was so much more valued and precious. I was in the Apple Store in Hamburg [recently], and there as such a buzz about the place that reminded me of record stores in their heyday.
THR: The band's 40-year anniversary is just around the corner. What keeps you going?
Jim Kerr: The very foundation of what we do as Simple Minds has not changed one bit. We look for a melody, we look for a lyric and an emotion. We record it, we try and get it out there...to get as many people to see it, hear it, come and experience it. That’s what we’ve been doing, andnot one bit of that has fundamentally changed. And thank God for that, because at least there’s still something in this world that makes sense to us.
THR: How are you handling the physical demands of touring?
Jim Kerr: You hear me knocking on wood? I had an hour’s jog today. I’m going back out for 45 minutes tonight. I’ve got about a month to drop a couple of kilos. I’ll do it, it’ll be good. Famous last words.