"I found my voice as a recording artist on those records," says Earle, who recorded the three after being jailed for drug and weapons possessions. "It was pretty much a flurry of activity; they were the first sort of burst of stuff I did after I didn't do anything for four and a half years. I knew what I was and where I was as a songwriter, even as a drug addict, but I had to sort of start over again and get back to how I wanted things to sound. My earlier stuff were digital records and very slick 80s recordings -- the drums were fucking loud, there were a lot of gated reverbs on everything. I'm not ashamed of it; it was the 80s, and that's what we did. But by (1995) I was after something else."
That's certainly true of the Grammy Award-nominated "Train a Comin'," a stark, rootsy and acoustic set that Earle first released on Winter Harvest Records before it was subsequently picked up by Warners.
"As soon as I got out, when I was getting ready to be released, I wanted to get my feet wet," Earle recalls. "I had a lot of older songs lying around, and a few new songs -- I wrote 'Goodbye' in treatment, the first song I'd written in four and a half or five years. After I got out I started writing some rock 'n' roll songs, but I set them aside. I really wanted to make an acoustic record before I cranked it up again."
Earle says he's particularly happy to have the live material as part of "The Warner Bros. Years." The Polk Theater date, in fact, was his first Nashville show after his release and features guest appearances by Emmylou Harris and Bill Monroe.
"Having Bill Monroe walk out on stage was just...incredible," Earle says. "I knew he was there; Peter (Rowan) had invited him, and he was sitting on stage with my parents. We only included one song with him ('The Walls of Time'); he was actually there for eight. We had a little trouble getting him off stage (laughs), but that's OK. He performed one more time that I know of after that, at a bluegrass festival. He had already had his first stroke and didn't play mandolin anymore. That's one of my favorite songs on the record."
My earlier stuff were digital records and very slick 80s recordings -- the drums were fucking loud, there were a lot of gated reverbs on everything. I'm not ashamed of it; it was the 80s, and that's what we did. But by (1995) I was after something else.
Earle -- who also appears in and writes music for "Treme" -- wound up leaving Warners after "El Corazon," following a dust-up over "The Mountain," a bluegrass album he recorded with the Del McCoury Band. He's released seven studio albums since, including "The Low Highway," which came out April 16. He begins a North American tour on April 26 in Bethlehem, Pa., and will appear at the Bergenfest on June 13 in Norway. Earle recently wrapped up his second feature film appearance in David Burris' "The World Made Straight," in which he plays "this hillbilly sociopath, a drug dealer in the 70s in rural North Carolina. Not a nice guy at all." And he's working on a new book, which he says will be "a literary memoir" more akin to Bob Dylan's "Chronicles" and Patti Smith's "Just Kids" than a standard autobiography.
"I'm not competing with Keith (Richards' 'Life')," says Earle, who plans to title the book "I Can't Remember if We Said Goodbye."
"It's in three acts, basically, about mentors and teachers. It's due at the end of the year; I'll be able to work on it on the road. I'm supposed to turn it in at the end of November or something. I might make it. I'm pretty good about making deadlines." Earle is also contracted to write a novel after the memoir.