Year In Music: Re-Thinking What An Album Can Mean In 2018, Thanks to Kanye, Ariana & More

Meanwhile, Drake and Migos took a more-is-more approach with Scorpion and Culture II, respectively. Sets that would’ve been side-eyed as overcooked double albums during the CD age, the tourmates’ two albums combine for a whopping 49 tracks and over 200 minutes. But they had their own utility for the 2018 market. Rather than insisting on a single-listen experience, they flooded the zone with dozens of songs that not only boosted their own streaming totals but allowed listeners to up-vote their favorites. Drake’s “In My Feelings” wasn’t even tabbed as a single until fans began streaming it off Scorpion and it spawned a viral dance challenge. The song received a video and promotional push soon after and eventually became the year’s second-longest-running Hot 100 No. 1, with 10 weeks on top, behind “God’s Plan.”

The Beyoncé-style element of surprise also kept the album relevant. After failing to generate a hit with Revival in 2017, Eminem unexpectedly dropped Kamikaze in August and outperformed Revival’s first week by 167,000 units, recapturing old fans and even setting off one of the year’s most high-profile rap beefs with Machine Gun Kelly. Similarly, after five years of contractual drama with parent label Cash Money Records and estranged mentor Bryan “Birdman” Williams, Lil Wayne released Tha Carter V just two days after announcing its release date. An immediate streaming blockbuster, it debuted 22 of its 23 tracks on the Hot 100 and reintroduced the superstar to the mainstream’s center. Surprise wasn’t the only trick pop stars successfully borrowed from Beyoncé this year, either -- Janelle Monáe also turned her Dirty Computer sci-fi opus into a visual album, garnering the best first-week numbers of her career.

Other major artists reached new heights simply by making the strongest, most coherent albums of their careers and giving them traditional rollouts. The sun-baked ache of Kacey Musgraves’ unanimously praised Golden Hour landed her in the top five of the Billboard 200 (for a third time) in April, and even won the Country Music Association Award for album of the year in November -- a rare victory for an album without any Hot 100 hit singles. And Ariana Grande affirmed her place atop pop’s A-list in August with Sweetener, its velvety soul and meditative melancholy transitioning her from a former teen-pop star to a best-selling adult artist.

Grande has expressed impatience with the album format and how it tends to divide an artist’s career into rigid segments. She has vowed to move more quickly with her releases in the future, tweeting “i love music i ain’t waiting another 2 years to drop it” in October, following through on her promise in November with “Thank U, Next,” a surprise and surprisingly gracious breakup single that she dropped in the wake of her split with fiancé Pete Davidson. The song became her first Hot 100 No. 1 and has held on for four weeks and counting.

Grande has also announced an album of the same name to go with her latest smash. It might not come in a traditional (or even physical) package, it could be interminably long or conspicuously short, and we may not know anything concrete about it until seconds before it drops. But whatever form it arrives in, it’ll confirm what we should know by now as a culture: We’re not “thank you, next”-ing the album anytime soon.

This article originally appeared in the Dec. 15 issue of Billboard.