2016 No. 1s: Inside Bryson Tiller's Leap From Papa John's to Radio Dominance
"Don't" -- R&B/Hip-Hop Airplay (2 weeks), Mainstream R&B/Hip-Hop (5 weeks)
"Exchange" -- Mainstream R&B/Hip-Hop (1 week)
Kentucky-bred artist Bryson Tiller, Billboard’s top new artist of 2016, and Grammy nominee, was working at Papa John’s and UPS when his self-released single “Don’t” went viral in 2014, accumulating more than 35 million streams on SoundCloud and becoming a force on Vine within a matter of months. The 23-year-old’s early buzz earned him a co-sign from Drake and a deal with RCA. The major label’s influence helped lift his debut album, Trapsoul -- a velvety blend of Southern rap and contemporary R&B -- to platinum status, but it was first cut “Don’t,” rereleased as an official single in 2015, that brought him to the top of the charts. “One of my first purchases after I signed to RCA was a BMW. I was driving on the highway and I heard ‘Don’t’ come on,” recalls Tiller. “It was a real moment.”
PETER EDGE (chairman/CEO, RCA):
“Don’t” was one of those groundbreaking songs that you hear where you just go, “This sounds like the future.” It was a combination of the two things that we look at today, which is gut instinct and knowing that it’s active.
TILLER:
Vine is where “Don’t” started popping off. A lot of famous Viners used the song and that was crazy, because I had never been a part of something like that. I drank champagne for the first time when it got 100,000 plays.
NEIL DOMINIQUE (manager):
In the beginning a lot of people said “Don’t” wouldn’t even make it to radio. DJs were saying it’s not a regular radio record, but the fans online and the streams really pioneered and pushed it.
TOM CORSON (president/COO, RCA):
[Bryson has] a quiet confidence. He’s a laid-back, not-on-camera kind of dude and he was very clear about that. We pride ourselves on figuring out a way to make it work. We’ve got Sia and Bryson [who are] not that dissimilar -- real forces of nature and talent, and we embrace that.
This article originally appeared in the Dec. 17 issue of Billboard.
