1. How To Dress Well, “Repeat Pleasure”
How To Dress Well mastermind Tom Krell has hinted that his downbeat electro-R&B project could yield a full-fledged pop track with songs like “& It Was You” and a cover of Janet Jackson’s “Again,” but few could have foreseen something as catchy, danceable and downright uplifting as “Repeat Pleasure,” from this year’s “What Is This Heart?” Krell’s fragile voice and careful guitar strums propel one of the year’s most unexpected treats from the indie world.
2. tune-yards, “Water Fountain”
Merrill Garbus’ eclectic Tune-Yards project produced another Afrobeat-influenced gem this year with “Water Fountain,” which allowed indie fans to dance along to the phrase “blood-soaked dollar” for the first time. Miss M.I.A.’s propulsive world music being played on pop radio? Try Tune-Yards’ latest, Nikki Nack, on for size.
3. Sylvan Esso, “Coffee”
Members of Mountain Man and Megafaun combined for the electro-pop project Sylvan Esso, which at times sounds custom-made for college-town cafes and shines on hypnotic tracks like the single “Coffee.” The group’s debut album is blog fodder, but this delightfully simple track deserves to reach fans of darkly lit mainstream pop as well.
4. The Pains of Being Pure at Heart, “Kelly”
Long-running indie outfit The Pains of Being Pure at Heart packed their underrated LP Days Of Abandon with a few fits of unabashed glee, and “Kelly” skips along with Jessica Weiss’ happy-go-lucky vocal performance and a finger-snapping jangle that would fit in with the Smiths’ lush melodies. If you hate this song, there might just be hate rooted in your heart.
5. Wye Oak, “Glory”
Wye Oak’s Jenn Wasner traded in her guitar for a keyboard in the three years between 2011’s Civilian and this year’s Shriek, and the latter represents a fresh change of pace for the reliably charming duo. “Glory” flies its funky flag in a little under five minutes, as Wasner lingers on syllables with a confident quiver similar to that of Bat For Lashes’ Natasha Khan.
6. Spoon, “Do You”
Spoon remained the most consistent band in indie rock with this year’s lovely They Want My Soul, and while “Inside Out” and “Let Me Be Mine” are stunners for the Pitchfork set, “Do You” struts into view with the album’s most alluring hooks. Don’t be surprised to hear this one in a ton of movie trailers next year.
7. Lykke Li, “Heart Of Steel”
In an alternate universe, Lykke Li’s “Heart Of Steel” would be getting the pop radio shine that Sam Smith’s similarly choir-assisted “Stay With Me” received in 2014. The swelling ballad on the Swedish indie star’s bruised third album, I Never Learn, finds Li pleading to find peace while trying to recover from a devastating breakup: “Don’t me leave me dying without a lover to hold,” she sings before a thousand backing vocalists lift her words.
8. Broods, “Coattails”
Love Lorde? Brother-sister duo Broods is also from New Zealand and happened to have worked with Lorde’s producer Joel Little on the entirety of their debut EP and album. “Coattails,” from their self-titled EP, skulks along with a tenderness that recalls… well, you know who.
9. Little Dragon, “Klapp Klapp”
The indie-electro Swedes of Little Dragon continue to release persuasive dance music, and the swaggering soul of “Klapp Klapp” represents a new high point for Yukimi Nagano and co. The snare taps are relentless, and when the chorus hits, dare yourself not to nod your head.
10. The Preatures, “Is This How You Feel?”
The Australian explosion of 2014 included artists like Sia and 5 Seconds of Summer, but alt-rock five-piece the Preatures also enjoyed a fair amount of stateside success after forming in Sydney in 2010. “Is This How You Feel?,” from debut album Blue Planet Eyes, boasts one of the punchiest bass lines of the year, and Isabella Manfredi’s voice impressively bounces back and forth between deadpan and assertive.
11. Alvvays, “Adult Diversion”
Alvvays (pronounced “always”) is the 2014 anthem for every shy girl staring at the cute guy she’s spotted on the street. “How do I get close to you?/Even if you don’t notice as I am already wandering some way,” the song begins, with careening guitars urging singer Molly Rankin to screw up the courage and find happiness.
12. The Drums, “I Can’t Pretend”
This Brooklyn rock group’s third album, Encyclopedia, came and went in the U.S. upon its September release, but the band (now a duo) snuck their strongest song to date onto the track list. Whereas early hits like “Let’s Go Surfing” were all about zippy style, “I Can’t Pretend” bathes in bleary-eyed emotion, the group’s sorrow ringing out in lines like, “When everyone wants to dance, I can’t stand up.”
13. Fickle Friends, “Swim”
Brighton-based Fickle Friends are one of Pop Shop’s favorite new bands, and debut single “Swim” cloaks its melancholy in elated harmonies and playful guitar riffs. Expect more sugary electronic tracks from the band’s debut EP in early 2015.
14. Hundred Waters, “[Animal]”
This stand-out from the Florida group’s wholly stunning sophomore album pairs the wispy vocals of Nicole Miglis with pulse-quickening percussion and a shuddering electronic breakdown or three, conjuring one of the most intricate art-pop songs of the year.
15. Grimes feat. Blood Diamonds, “Go”
We end with a pop song originally written for Rihanna and delivered by indie music’s most mesmerizing chanteuse at the moment: Grimes may not have cracked the Top 40 with “Go,” but that hacksaw of a synth breakdown would slice pop fans open if given the chance. Don’t be surprised to see Grimes trading in her indie cred for well-earned ubiquity next year.