It was a breakthrough moment for Korean music thanks to an artist who is massive in Asia (2NE1 boasts to have sold more than 30 million singles, appeared on the Forbes Korea Celebrity 40 list and staged multiple tours across the continent), but is relatively unknown stateside, but worked to hard to collaborate and prove herself among some of music's biggest talents. Last fall, news broke that CL had teamed with Scooter Braun, who would manage a full-fledged solo debut in America with Diplo, Skrillex, Blood Diamonds and more all on board. If this performance is any indication, we won't be getting any type of "Westernized" CL, but one that retains her individual state of badass-ery and can fit comfortably inside the U.S. scene whether she's singing in English or Korean. Key word being: comfortably.
When PSY's "Gangnam Style" broke through in America, the general public wondered if K-pop was on the verge of making a western crossover. Meanwhile, longtime K-pop fans wondered if the sun glass-clad superstar had done a disservice to the scene so that it wouldn't ever be taken seriously by a non-Asian audience. If PSY popped up as a special Ultra guest, it would have undoubtedly been a chance for the tens of thousands of crowdgoers to do the horsey dance together -- fun, but probably not any type of legitimate musical co-sign that indicates Korean music making a place at a future U.S. fest. But CL performing Korean music in the final hour of a major U.S. festival? That's cool and game changing.