Check out the rest of our conversation with Tay Keith, where he touches on collaborating with Drake, his now-viral tag that has taken on a life of its own on social media, Memphis' revival, working alongside Wiz Khalifa and Travis Scott, starting a production label, and much more.
Was "Look Alive" originally Drake's record?
That was with Drake first. I had cooked up Drake a pack and that ended up being one of the beats he fucked with. Then, we eventually sent it to Blocboy JB and let him hop on it. We shot the video the same week. We really did everything quick. It was a real Memphis vibe. That's what we gave y'all. When you're doing big things, you could bring the city out.
Whose idea was it to get Blocboy JB on there?
The whole idea was from Drake. He did us a favor by giving us the song. Drake's the G.O.A.T.
Have you gotten the platinum plaque in the mail yet? I know that was one of your goals coming into this.
We're going to wait until it goes triple platinum before I get the plaque. It was just a shock to me. I just didn't expect [the song] to be as big as it was.
How did "Nonstop" with Drake come together?
It was one of those records, I didn't expect it to be as big as it was. It was one of those, "Oh, I'm just gonna cook this up in a pack and see where it goes." Drake hopped on it and was fucking with it. I didn't expect it to be at No. 2 on the Billboard Hot 100. For it to be just a beat I cooked in a pack, too? It wasn't made for anything specific. It was a random type of blessing.
How long before Scorpion's release did you find out you had a placement on there with "Nonstop?"
I don't even know, to be honest with you. I work with so many other people. It was 2018 for sure.
Was that another beat that only took you 30 minutes to cook up?
What artists and rappers do now is just freestyling. The same thing goes for producers, you don't put too much with it. I'm creative with it since it's my sound, but you don't want to overdo the beat and give the artist enough room to do what they want on it.
You had the Mack Daddy Ju and DJ Squeeky sample on there. Can you talk about implementing that and having DJ Squeeky as one of your main influences, coming up in Memphis?
I looked up to DJ Squeeky because he did a lot for the Memphis music scene when it didn't really get any play. He was one of those producers I wish would've gotten more shine. Of course, he gets recognition now and people realize this was one of the biggest sound influencers in Memphis outside of Three 6 Mafia. I've got a lot of respect for DJ Squeeky; he inspired me a lot. I'm glad he's getting his recognition.
Do you feel any pressure as Memphis' next go-to producer?
Not at all. I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot. I don't feel a lot of pressure to do anything. I talked to Yo Gotti and he gave me a lot of advice. I've worked with Juicy J personally a couple times. They see what I've got going on and they respect it. It was cool for them to even reach out to me. I'm inspired by the fact they would even do that.
What do you think about the rise of the new music wave coming out of Memphis?
I feel like Memphis definitely has the spotlight now because of the wave we got. Atlanta has their own wave, too. It all comes with consistency. Memphis is the spot like that right now.
What was the creative process like for producing Lil Yachty's "Who Want the Smoke?"
That was really just Blocboy JB and me working together. It was originally Lil Yachty and Blocboy's song. I don't know too much about what they had going on. I cooked it up for Blocboy. That was a big surprise for me when I saw Cardi B and Offset on there. I was definitely shocked because it was another major placement. I found out about it a week before.
Who were some of your musical influences growing up?
Yo Gotti had some influence on me for sure. I would say Three 6 Mafia, too. We had Young Dolph coming up and some local artists who had a buzz like Cannibal Corpse, OG Boo Dirty, and Zed Zilla. All those guys had an influence on me even though they weren't huge outside of Memphis, because a lot of people in Memphis listened to their music.
Were you listening to a lot of other artists outside of Memphis?
I mean, I was listening to Young Jeezy, Gucci Mane, and the typical Southern rappers. I didn't listen to mainstream music until it was on the radio.
You were rapping at first. What made you want to become a producer?
Just really finding my own lane and realizing I could get way further as a producer.
When did you realize you could make a career out of this?
When I started putting beats on YouTube and getting paid off of it. This was probably around 2011 and I was in like 9th grade.
How did you get your signature producer tag?
It basically came from my boy Lil Juice. He sent me a couple samples of some possible tags because I had tweeted I needed a tag. We went from there and I sent him a couple beats and we went back and forth. That's my homeboy. I didn't realize how viral it was, but it's definitely worldwide now. People are tweeting me in other languages with it that I don't even know.
Who are some artists you've been working with recently?
I've been working with [Youngboy Never Broke Again], Hoodrich Pablo Juan, Chief Keef. I got something with 21 Savage coming. I don't want to say too many names but I got a lot going on. Travis Scott as well.
Were the studio sessions with Travis for Astroworld?
We were just working on some stuff. We were out in California working together and had a studio session. [Travis] is really focused when he's in the studio. He's more focused on what he's writing or singing than anything. He's just going straight in and doesn't stop.
You recently produced "Hunnid Bands" and "Real Rich" for Wiz Khalifa. What was being in the studio with him like?
He's a really cool guy. A lot of positive vibes and good energy from [Wiz Khalifa]. Real cool guy.
Have you had the chance to work with any of your dream collaborations?
I actually got to work with TM88. He was one of my big influences as far as producing. It was pretty cool. I had met him in California at the crib and it was one of those random meet-ups and we got to working from that point on. He was a real genuine guy, so I fuck with him. We did a record with Key Glock.
Are you still enrolled at Middle Tennessee State University?
Yeah, I'm doing an internship and a couple more classes for a semester. I'm interning at a nice little studio in Nashville, not too far from where I go to school. It's a studio vibe for songwriters to collaborate with other songwriters.
How was DJing parties at MTSU while you're on the rise as a producer around campus?
Yeah, it was crazy. I still DJ. When I DJ, I got my own catalog to play in the club. I'm spinning my own records like it's my own show. I get a lot of respect around campus. I'm just slacking off now, though.
What are some of your goals the rest of 2018?
To keep building my producer label. It's called Drumatized. I got one producer signed already, Denaro Love.