One of the earliest signs that Kader had an understanding of digital marketing came in 2005 when she launched her popular Broke and Boujee parties in Atlanta. The misspelling of “bougie” is popular now thanks to the Migos hit “Bad and Boujee,” but back then Kader says she purposely misspelled the word in order to keep an eye on online engagement. “At the time, on Facebook and Myspace, there was no such thing as hashtags. That was a way that I could search the engines to see who was posting it and repost them” she says. Kader eventually transitioned into brand partnerships, working as an “industry dot connector” -- as she puts it -- at companies such as Complex, Twitter and Def Jam.
In her current role at Instagram, Kader says she gave up trying to keep track of how many artists the Instagram music team is working with at any given time but, if there’s a viral celebrity Live stream, chances are she’s behind it. In the midst of the COVID-19 pandemic, Swizz Beatz and Timbaland launched the Verzuz series where artists, songwriters and producers battle each other with their biggest hits on Instagram. When the highly anticipated battle between Teddy Riley and Babyface had technical difficulties on April 20, Riley’s team could be heard asking Kader for help troubleshooting.
“With such a high demand in that moment, along with some other updates that we're making, it was like the perfect storm,” says Kader, who received a shoutout from Swizz Beatz and Timbaland in a subsequent Live. By the time Jill Scott logged on to Instagram Live for the first time to battle Erykah Badu on May 9, things were running much smoother. The pair went live for about three uninterrupted hours before Badu’s iPad died. Their viewership peaked at more than 700,000.
With some of the limitations of Instagram Live, including an hourlong time limit for some users, some artists have contemplated moving content to other apps -- such as Twitch -- where they could earn revenue. But plenty of others, and their fans, seem to enjoy how easily accessible the free Instagram Live streams are. “I think artists, public figures and creators in general are really smart in knowing that this is where their audiences are,” Kader says, noting that the Facebook-owned company doesn't discourage using other platforms. “It's in their best interest to keep the quality content happening on Instagram.”
The best advice I ever received was you don't always get to choose what you're good at. It chooses you. I'm very private. I'm actually such a homebody. I don't go out to parties. I host a lot at my house. So, the irony that I would start a party and be in such a nightlife scene and the music industry [which is] extremely social is just an oxymoron.
I knew I was committed to music when I’m really trying to pin down a specific moment but music has been the soundtrack of my life since I was little. It was my safe space from the minute my mother died. Music has saved my life because it has created a very lovely and comfortable life for me, but I've been committed to it from the day I could feel anything or remember anything.
Something most people don’t understand is I, too, only have 24 hours in a day. I really, really, really put emphasis on balancing my personal and my professional life. That's really important to me. A lot of times people don't understand that because they allow those two to intertwine.
What’s next is to continue being on this train that's constantly moving. That's what I love about working at Instagram. I'm on a moving train and laying down tracks as we go along. We work in real time. I don't know where the train is taking me, but my intuition is strong. And, I'm here for a reason.
The easiest thing about what I do is the privilege of building like really strong communities around me. I hear horror stories in the industry, but I am just so grateful that I've managed to build the kind of relationships that are foundationally strong.
Spotlight is a Billboard Business series that aims to highlight those in the music business making innovative or creative moves, or who are succeeding in behind-the-scenes or under-the-radar roles. For submissions for the series, please contact firstname.lastname@example.org.