The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new June 13-dated chart (where Chromatica starts at No. 1) will be posted in full on Billboard's website on June 9.
Of Chromatica’s starting sum of 274,000 equivalent album units, album sales comprise 205,000, SEA units total 65,000 (equating to 87.16 million on-demand streams of the set’s tracks in the week ending June 4) and TEA units equal a little more than 4,000.
Here’s a look at some notable achievements earned by the debut of Chromatica at No. 1:
Fifth Biggest Week of 2020, Largest for an Album By a Woman: Chromatica’s start of 274,000 equivalent album units earned marks the fifth-largest week for any album in 2020 and the biggest for an album by a woman. The only larger weeks posted in 2020 were from the debut frames of The Weeknd’s After Hours (444,000), BTS’ Map of the Soul: 7 (422,000), Lil Uzi Vert’s Eternal Atake (288,000) and Eminem’s Music to Be Murdered By (279,000).
The last larger week for an album by a woman was racked up by Taylor Swift’s Lover, which blasted in at No. 1 on the chart dated Sept. 7, 2019, with 867,000 units.
Album sales comprise 75 percent of Chromatica’s overall debut frame (205,000 of 274,000). The set’s sales were bolstered by dozens of merchandise/album bundles sold via her official webstore, and a concert ticket/album sale offer with her three upcoming U.S. stadium shows scheduled for August. In addition, the album sold well via traditional retail, including the iTunes Store, Amazon and Target. The latter carried an exclusive deluxe CD edition of the album with bonus tracks.
Strong Streams: Chromatica’s bow with 65,000 SEA units equates to 87.16 million on-demand streams of the set’s tracks in the week ending June 4. That’s the biggest streaming week for any non-R&B/hip-hop or Latin album in 2020.
The largest streaming week of 2020 for any album is owned by Lil Uzi Vert’s hip-hop set Eternal Atake, which bowed at No. 1 on March 21 with 400.4 million clicks.
For comparison among non-R&B/hip-hop or Latin albums, here are the next-biggest streaming weeks of 2020 after Chromatica’s start with 87.16 million: Selena Gomez’s Rare (debut, 79.3 million; Jan. 25), Halsey’s Manic (debut, 75.6 million; Feb. 1) and BTS’ Map of the Soul: 7 (debut, 74.8 million; March 7).
The last album outside of the R&B/hip-hop or Latin genres to manage a bigger streaming week than Chromatica was Harry Styles’ Fine Line, which started at No. 1 with 108.7 million clicks (Dec. 28, 2019-dated chart).
The last non-R&B/hip-hop or Latin album by a woman to collect a bigger streaming week than Chromatica was Taylor Swift’s Lover, with 117.4 million in its second week on the list (Sept. 14, 2019).
Six No. 1 Albums in Only Nine Years: Lady Gaga has tallied six No. 1s on the Billboard 200 chart in just nine years and two days -- the fastest a woman has claimed six No. 1 albums. Lady Gaga logged her first No. 1 with Born This Way, when it debuted atop the list dated Jun 11, 2011.
Previously, Taylor Swift achieved six No. 1s the fastest, among women, when Lover opened at No. 1 on Sept. 7, 2019 -- just 10 years and nine months after her first No. 1, Fearless, topped the list (Nov. 29, 2008).
Among men or groups, there are acts that have scores their first six No. 1s in quicker time than Gaga -- The Beatles, Justin Bieber, Garth Brooks, Kenny Chesney, Drake, Future, Jay-Z, Elton John, Paul McCartney, Elvis Presley and Kanye West.
One of Just Eight Women With at Least Six No. 1 Albums: Lady Gaga joins an elite club of just eight women who have landed six No. 1 albums. She’s now tied with Beyoncé, Mariah Carey, Britney Spears and Taylor Swift, all with six each. Ahead of them: Barbra Streisand, with the most of any woman, 11; Madonna, with nine; and Janet Jackson, with seven.
Among all artists, The Beatles continue to hold the record for the most No. 1s, with 19 leaders.
Only Two Women Have Had a No. 1 Album in 2020: So far this year, just two women have led the Billboard 200 -- Lady Gaga with Chromatica and Selena Gomez with Rare. The latter opened atop the list on Jan. 25.
In total, of the 18 No. 1 albums in 2020 -- which include two carryover No. 1s from 2019 -- 14 are by solo men, two are by male groups (BTS and Jackboys) and two are by women.
At this point a year ago, there were 17 No. 1s -- with one carryover from 2018. Of those 17, four were either by a solo woman, or co-credited to a woman and a man (Gaga and Bradley Cooper’s A Star Is Born soundtrack). The other 13 leaders at this point a year ago consisted of three No. 1s by male groups (Backstreet Boys, BTS and Vampire Weekend) and 10 by solo men.
At No. 2 on the new Billboard 200, Jimmy Buffett lands his highest-charting album in over 15 years, as Life on the Flip Side starts with 75,000 equivalent album units earned (with 74,000 of that sum in album sales). The last time the veteran singer-songwriter (and Margaritaville brand boss) was higher on the list was in 2004, when License to Chill became his first No. 1 when it opened atop the chart dated July 31, 2004.
Life on the Flip Side is Buffett’s 40th charting album on the Billboard 200. He first visited the list in 1974 with Living and Dying in 3/4 Time, which arrived on the March 2 chart, on its way to a No. 176 peak on March 30. In total, Life On the Flip Side is Buffett’s 22nd top 40 album, and 12th top 10.
Life on the Flip Side is Buffett’s first non-holiday studio album since Songs From St. Somewhere, which hit No. 4 in 2013.
The new album’s sales were helped by a concert ticket/album sale redemption offer with a slate of upcoming Buffett shows. The bundle offer was originally attached to a string of dates that were meant to run from May 16 through Oct. 15, 2020. Some of those shows were ultimately canceled due to COVID-19 concerns, while the remaining shows were postponed and rescheduled to July 10 through Sept. 2, 2021. Only the postponed and rescheduled shows are part of the ticket bundle offer which contributes to the chart total.
With Gaga and Buffett at Nos. 1 and 2, it’s the first time since the Jan. 4-date chart that the top two titles are both non-R&B/hip-hop titles. On the Jan. 4-dated chart, Harry Styles’ Fine Line was No. 1, while Michael Bublé’s Christmas was No. 2.
A trio of former No. 1s come in at Nos. 3-5 on the new Billboard 200, as Lil Baby’s My Turn falls from No. 2 to No. 3 (62,000 equivalent album units; down 4 percent), Gunna’s Wunna drops from No. 1 to No. 4 in its second week (49,000; down 56 percent) and Future’s High Off Life dips from No. 3 to No. 5 (44,000; down 27 percent).
Drake’s Dark Lane Demo Tapes is steady at No. 6 (41,000; down 14 percent) and Polo G’s The Goat falls 5-7 (40,000; down 22 percent).
Anuel AA claims his first top 10 album on the all-genre Billboard 200, as Emmanuel debuts at No. 8 with 39,000 equivalent album units earned. Of that sum, 36,000 are in SEA units, equating to 55.8 million on-demand streams for the album’s songs.
The set is the Latin album to reach the Billboard 200’s top 10 in 2020, following a pair of Bad Bunny efforts (YHLQMDLG, No. 2 and Las Que No Iban a Salir, No. 7).
Emmanuel is Anuel AA’s second studio album. His first, Real Hasta La Muerte, peaked at No. 44 in 2018. It also spent two weeks at No. 1 on the Top Latin Albums chart, and finished as one of the top 10 biggest Latin albums of 2018 and 2019 on Billboard’s year-end charts.
DaBaby’s former No. 1 Blame It on Baby falls from No. 7 to No. 9 on the new Billboard 200 with just under 39,000 equivalent album units (down 8 percent).
Closing out the new top 10 on the Billboard 200 is Run the Jewels’ RTJ4, bowing at No. 10 with 38,000 equivalent album units earned (with 30,000 of that in album sales). It’s the first top 10 for the rap duo, which previously notched two charting sets, Run the Jewels 3 (No. 13 in 2017) and Run the Jewels 2 (No. 50 in 2014).
RTJ4 was released early via digital retailers and streamers on Wednesday, June 3 -- instead of on June 5 (a Friday, traditionally the day in which albums are released each week). The album’s sales also benefit from an array of merchandise/album bundles sold via the act’s official webstore.
In addition, the album was available as a free download via the act’s website, alongside an appeal for donations to the Mass Defense Program. None of those free downloads were reported to Nielsen Music/MRC Data.