Latin's market share growth comes despite the fact that, like other genres, it has suffered a decline in its weekly streaming average since the advent of the economic shutdown beginning the week of March 13. Latin saw its average weekly on-demand count drop from 1.182 billion prior to the advent of the pandemic to 1.143 billion average weekly streams from the pandemic period onward through July 2, a 3.3% drop.
Like other genres, Latin's physical sales was impacted by the COVID-19 pandemic, with physical album sales dropping 48.7% to 212,000 copies from 414,000 in the first half of 2019. As with other genres, Latin enjoyed a digital sales bump with download albums growing 11.7% to 248,000 copies from 222,000 the year before.
That means overall, album sales fell 27.6% to 461,000 from 636,000 copies, and digital track sales fell 32.6% to 3.35 million copies, versus 4.83 million in the six-month year earlier period.
In terms of top artists for the first six months of the year, Bad Bunny was king. The Puerto Rican rapper’s YHLQMDLG became the highest-charting all-Spanish-language album in the history of the Billboard 200 when it reached No. 2 on the March 14 tally.
It’s also the sixth-most-consumed album of the year and the lone Latin title in the top 10. Interesting fact: When Bad Bunny’s Las Que No Iban a Salir debuted on the May 14 Top Latin Albums chart at No. 1, Bad Bunny also held the No. 2 (YHLQMDLG) and No. 3 (X100PRE) slots.
Following Bad Bunny in consumption for the first six months of the year is Ozuna, and in third place, newcomer Natanael Cano. In terms of songs, the most-consumed track for the first six months of the year was Karol G and Nicki Minaj’s "Tusa," followed by Bad Bunny's "Yo Perreo Sola."
In fact, at midyear, Bad Bunny gets an artist credit, either as a solo or in collaboration, in seven of the top 10 most streamed latin songs.
Leila Cobo contributed to this report.