Savages Get Edgy (If Occasionally Monotonous) on 'Adore Life': Album Review

If British rockers Savages tried to pass as contemporaries of Bauhaus and Siouxsie & The Banshees, no one would have doubted them: They too have bat-cave sonics, an eccentric but hard-pummeling rhythm section, a monomaniacally warbling ­vocalist and a feral texturalist of a guitarist. Their ­second album sharpens their ­instrumental attack, while singer Jehnny Beth exposes her bloody heart -- nearly every song addresses desire as a force that can destroy a lover's identity.

"Love is a disease/The strongest addiction I know," she yelps in "Sad Person," a tune that makes flirtation sound ­terrifying. Guitarist Gemma Thompson's prickly, minor-key riffs can get repetitive ­throughout Adore Life, but they're ­bracing in single doses, from the high-friction grind and crazed-sailor's jig of a solo in "The Answer" to the fuzzy ­harmonics she spatters over the death-disco groove of "Surrender."