Dead By Sunrise's debut album, "Out of Ashes," doesn't come out until Oct. 13, but frontman Chester Bennington  is guaranteeing it will be a going concern, though always subject to the demands of his other band, Linkin Park .
"We'll make records when we can," Bennington -- who started forming Dead By Sunrise, originally as Snow White Tan, in 2005 -- tells Billboard.com. "I don't think people should expect to see an album every couple of years. I'm definitely not going to tell Linkin Park, 'Hey, can you guys take some time off so I can go work on Dead By Sunrise?' That's not gonna happen. But we definitely see this as something we'll continue to do. This isn't a one-time thing for us. Every five years or so I could imagine there'd be a Dead By Sunrise record."
And, Bennington adds, his bandmates in Linkin Park have become his "No. 1 support group" for Dead By Sunrise.
"I think they see how much time I put into it," he says, "and they definitely can tell these songs are different from what Linkin Park is doing. I still contribute 110 percent to Linkin Park. I think they know (Dead By Sunrise) is not something I would do if it meant jeopardizing what we have in Linkin Park."
With the album's first single, "Crawl Back In," already out, Bennington -- who co-produced the album with Howard Benson -- and the Dead By Sunrise crew are itching to play some live shows in support of "Out of Ashes." "We really are looking forward to going and playing small venues for a few hundred people," he says, "and really having the people who want to hear us play getting sweaty with us and having speakers right in their faces and blasting them pretty loud."
While he's preparing for "Out of Ashes' " release, however, Bennington is also in the studio with Linkin Park working on the band's fourth album. Rick Rubin  is again on board as co-producer, and Bennington says the group would like to have the set out by mid-2010 but "won't put anything out until we can pull a batch of super-stellar songs together."
"We're really experimenting a lot with sounds and time signatures and (song) structures," Bennington reports, "really not being constrained by any kind of preconceived ideas that we might have ourselves. So it's really promising."
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