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Brown's 'Run' Begins Third Week At No. 1

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Chris Brown's "Run It" holds tight at No. 1 on the Billboard Hot 100 for a third consecutive week. The cut also remains atop the Pop 100 and holds at No. 2 on the R&B/Hip-Hop Songs chart, where last week it gave way to Dem Franchize Boyz' "I Think They Like Me," featuring Jermaine Dupri, Da Brat and Bow Wow.

On the Hot 100, Kanye West's "Gold Digger" and the Black Eyed Peas' "My Humps" are steady in the No. 2 and No. 3 positions, respectively. "Humps" is also No. 1 on the Hot Ringtones chart. D4L's "Laffy Taffy" jumps 6-4 on the Hot 100, while Young Jeezy's "Soul Survivor" featuring Akon, drops 4-5 and Nickelback's "Photograph" slips 5-6.

Madonna's "Hung Up" tops the Hot Digital Songs chart for a second week and also maintains the No. 7 spot on the Hot 100 for a second week. The Pussycat Dolls' "Stickwitu" rises 10-8 on the Hot 100 as Sean Paul's "We Be Burnin'" descends 8-9. Kelly Clarkson's "Because Of You" drops 9-10 to complete the top tier.

Juelz Santana's "There It Go! (The Whistle Song)" leaps 19-11 and is the Hot 100's greatest retail and airplay gainer. As reported yesterday, the album from which it stems, "What the Game's Been Missing!," debuts this week at No. 9 on The Billboard 200.

Natasha Bedingfield's "Unwritten" is the Hot 100's top debut at No. 77. Also new are Ne-Yo's "So Sick" (No. 79), Kirk Franklin's "Looking For You" (No. 92), Juvenile's "Rodeo" (No. 93) and Wisin & Yandel's "Rakata" (No. 97).

Daddy Yankee's "Rompe" seizes the top slot on the Hot Latin Songs chart, ending a non-consecutive reign of 25 weeks by Shakira's "La Tortura" featuring Alejandro Sanz, which drops 1-4. Rob Thomas' "Lonely No More" posts another week at No. 1 on the Adult Contemporary airplay chart to extend its total to 17 weeks in the lead.

Dierks Bentley's "Come a Little Closer" and Shinedown's "Save Me" remain atop the Hot Country Songs and Mainstream Rock charts, respectively, while Nine Inch Nails' "Only" advances 2-1 to reclaims the top spot on the Modern Rock tally from Foo Fighter's "DOA," which falls to No. 2.

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