From the start, India.Arie has remained adamant about one thing: doing what's honest for her musically.

It began with the self-esteem declaration "Video," the first single from her multiple Grammy Award-nominated 2001 debut, "Acoustic Soul." Carrying on that same tradition is her fourth studio album, "Testimony: Vol. 2, Love & Politics," released Feb. 10 from Soulbird Music/Universal Republic.

This latest chapter in her musical evolution picks up from 2006's "Testimony: Vol. 1, Love & Relationship." That album, her first No. 1 debut on the Billboard 200, revealed a more vulnerable side of the singer/songwriter as she probed the aftermath of a painful breakup.

In contrast, "Vol. 2" finds a healed and empowered Arie. She's still discoursing about love, but this time in relation to politics—not governmental so much as human.

"It's about how people interact together; the politics and agenda-setting that come into play whether you're talking about men or women, the music industry, the world," Arie says. "I wrote a little something inside the CD jacket about my mission: to spread love, healing and peace through the power of words and music."

A soul-searching sojourn in Hawaii helped sow those seeds personally and musically. As she recovered from her broken relationship, Arie was in the midst of shifting labels from Universal Motown to her own Universal Republic imprint Soulbird Music. She and the label's first signee, Anthony David, share a Grammy nomination this year for best R&B performance by a duo/group for "Words."

"I really needed to take care of myself," she recalls. "Everything was out of order. I was emotionally unwell and also tired of the challenge of fitting into someone else's paradigm of a black artist. I stepped into the next phase of my evolution; a healthier place where I need to do what I want to do."

After writing 10 songs in 10 days in Hawaii (plus five more after her return), Arie cut rhythm tracks live with her band during a month of sessions. That was followed by a year of postproduction on the individual songs with co-producer Dru Castro. The result is an album she says truly "represents me vocally, lyrically and sonically."

"Testimony, Vol. 2" also reflects her long-held view of being a world music artist rather than solely categorized as urban. While she teams with Musiq Soulchild on the melodic groove "Chocolate High," she switches gears with the Jamaican roots artist Gramps Morgan on the romantic "Therapy." The tracks were simultaneously released as lead singles.