Three Mile Pilot

San Diego's Three Mile Pilot is perhaps best known to the indie rock world at large for supplying key personnel to Touch & Go buzz band the Black Heart Procession. Still, they spent much of the '90s near the forefront of a surprisingly active local indie scene. Three Mile Pilot made their mark with distinctively moody, bass-centered arrangements (in fact, they started out with no guitar at all) and a prog rock aesthetic that often resulted in long, winding, multi-sectioned song structures. Their abrupt shifts in key, rhythm, and volume earned them comparisons to math rockers like Slint and Don Caballero, but their poppier moments were more akin to the Pixies or Nirvana. After several unique albums for local indie Headhunter, the band went on hiatus as its leaders focused on other projects. Three Mile Pilot was formed in San Diego circa 1991 as a trio featuring vocalist Pall A. Jenkins (aka Paulo Zappoli), bassist Armistead Burwell Smith IV (aka Zach, aka ABS#4), and drummer Tom Zinser. At times, they were augmented by horn player Jim French. This lineup signed to Headhunter and issued their debut album, Na Vucca Do Lupu, in 1992. In its wake, Jenkins took up guitar, giving the instrument a dry run on the 1993 EP Circumcised. For the group's second album, 1994's The Chief Assassin to the Sinister, Smith contributed piano and cello, further broadening their textural palette. The album caught the attention of major label Geffen, which reissued it in 1995 with several additional tracks. However, the band's tenure at Geffen was stormy and very short, and they soon returned to Headhunter. Three Mile Pilot added a full-time pianist, Tobias Nathaniel, for the recording of their third album Another Desert, Another Sea, released in 1997. A self-titled, five-song EP followed on...