The Quin-Tones name will be forever etched in Doo-Wop Heaven because of "Down the Aisle of Love," released in June 1958. Its "Here Come the Bride" opening caught the public's ear. It became a hot seller, and a popular wedding song, reaching #18 on Billboard, September 15, 1958 - selling more than 800,000 copies. Roberta Haymon (lead), Carolyn "Sissie" Holmes, Jeannie Crist, Phyliss Carr, and Kenny Sexton - the Quin-Tones, attended William Penn Sr. High in York, PA. Originally, called the Quinteros, they performed at local dances. At one function they impressed and befriended Paul Landersman, a disc jockey at WHGB in Harrisburg, who offered a management deal. Promising an appearance on American Bandstand within a year, the starry-eyed teens signed and cut four tunes. "Ding Dong" appeared on Chess Records in February 1958. It failed to chart, but generated enough interest to get some bookings for the newly named Quin-Tones. The next session produced "Down the Aisle" a song they had been performing and sharpening on the road. Doc Bagby's Red Top label release it, but the demand got so heavy that Hunt Records took over to fill the orders. Subsequent 45s had the Hunt Record logo printed on them, "Please Dear," the flip side, featured Sissie on lead. Having a hit increased their gigging, they even appeared on American Bandstand as Landersman promised. Their most memorable gig occurred August 28, 1958 at the Apollo theater with the Coasters, the Olympics, the Spaniels, and the Chantels, where they received a standing ovation. Radar wouldn't have helped "There Be No Sorrow" find the charts, and a remake of Edna McGriff's "Heavenly Father" went unnoticed. The infinitesimal sales caused Landersman and Bagby to lose interest. Despite the big hit, they didn't schedule any more...