During their relatively brief time together, Kieran Kane and Jamie O'Hara, otherwise known as the O'Kanes, produced three albums of absolutely superb country music. The self-titled, first, and arguably strongest effort contains everything that is best about the O'Kanes' sound. It is rich in country music's finest traditions, yet it is by no means a nostalgia album. It is sparse in instrumentation, yet richly textured. Most of all, the album contains direct, honest music whose emotional intensity stays with the listener long after the sound waves have stopped vibrating. The O'Kanes' vocals recall the best of country harmony. Some critics liken them to the Louvin Brothers. Others, because of the more driving sound of their backing, compare them to the Everlys. The instrumental sound ranges from bluegrass (prominent mandolin) to the tense drive of Sun rockabilly (their hit "O Darlin'" is evidence of this). The addition of an accordion adds both Tex-Mex and unmistakably bluesy feels to the proceedings. This is truly hybrid music. Out of the core members of the O'Kanes, Kane was always the more musically inclined of the two. At the age of nine, he began playing drums in his older brother's rock & roll band. By the time he was in his teens, he was also playing bluegrass and folk, performing at festivals across the Northeast. Eventually, his reputation had grown large enough that he was opening for rock & roll groups like Country Joe & the Fish and the Steve Miller Band. When he was 21, he moved to Los Angeles, where he worked as a session guitarist and a professional songwriter. Eight years later, he relocated to Nashville, where he also worked as a session musician and songwriter. Within two years, he had landed a contract with Elektra, and over the next three years, he had...
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