The Golden Palominos were not a group per se, but rather the revolving-door project of drummer, programmer, and bandleader Anton Fier. Born June 20, 1956, in Cleveland, OH, Fier first made his mark as the drummer on the Feelies' seminal 1980 debut Crazy Rhythms. After leaving the group, he joined the punk-jazz unit the Lounge Lizards before returning home to Cleveland, where he was recruited by the legendary new wave band Pere Ubu for the album Song of the Bailing Man. After exiting Ubu, Fier again relocated to downtown New York City, where he founded the first Golden Palominos lineup in 1981. In its primary live incarnation, the band was an avant-funk supergroup comprised of Fier and another drummer, David Moss, saxophonist John Zorn, guitarist Arto Lindsay, and a pair of bassists, Bill Laswell and Jamaaladeen Tacuma; on their self-titled 1983 debut, the Palominos were augmented by Fred Frith, Nicky Skopelitis and Mark Miller. Over the next few years, Fier moved away from the first record's experimental noise into far more traditional pop territory; simultaneously, he largely jettisoned the first album's lineup in favor of an ever-changing collection of punk legends, post-punk superstars, up-and-comers, and N.Y.C.-scene vets. After enlisting ex-Raybeat Jody Harris to help him co-write much of the music, Fier recruited vocalists ranging from R.E.M.'s Michael Stipe and Cream's Jack Bruce to PIL's John Lydon and newcomer Syd Straw; rounded out by musicians like former dB Chris Stamey, guitar greats Richard Thompson, and Henry Kaiser, and P-Funk alumni Bernie Worrell and Mike Hampton, the revamped Golden Palominos reached an early peak with 1985's Visons of Excess, a diverse yet cogent collection highlighted by a cover of Moby Grape's "Omaha" and the original "Boy (Go)."...