The Escorts literally tried to sing their way out of Rahway State Prison (NJ). All seven -- Reginald Haynes, Lawrence Franklin, Robert Arrington, William Dugger, Stephen Carter, Frank Heard, and Marion Murphy, with assistance from producer/writer/singer George Kerr -- were serving time for various felonies and somehow hooked up with Kerr who was allowed to bring recording equipment into the slammer, which accounts for the less than sterling quality of their tracks; Kerr recorded the Escorts in prison then sweetened the tracks on the outside. The project lasted from 1973 to 1974 and resulted in five singles, the first, "All We Need Is Another Chance, Pts. 1 & 2," written by Kerr, was tailored for them. The Alithia Records release reminds you of Kerr's productions on the Whatnauts, but not nearly as sharp, though the Escorts multi-man (seven singers) lineup provided for a full harmony sound. The record saw airtime in Jersey, New York, Philly, Virginia, Maryland, and a few other locales, mostly along the East Coast, but it never really broke. But just recording and having record releases gave the Escorts tons of hope. Kerr chose the remake route for singles two and three. "Look Over Your Shoulder" b/w "By the Time I Get to Phoenix" didn't cut the mustard; Kerr had already cut a far superior version of the A-side on the O'Jays for Bell Records a few years earlier. The Escorts closed out 1973 with two more Kerr productions previously done by the O'Jays: "I'll Be Sweeter Tomorrow" b/w "I'm So Glad I Found You"; once again, the originals reigned supreme. Kerr, who sung with the Serenaders, usually managed at least one R&B Top 20 hit with everybody he produced, but never could get the Escorts that high on the charts. Prior to working with them, he enjoyed success with the...
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