Texas Johnny Brown

Texas Johnny Brown is a major talent whose talent simmered on the blues scene longer than all the beef stew cooked in the '40s, the decade when he first began playing and recording. Like pianist Johnny Johnson of St. Louis, Brown is an artist who did not get a chance to record a full album as a leader until he had been in the music business more than half a century. Also like Johnson, the results of coming in so late in the game have been a pair of highly acclaimed, prize-winning albums including the righteous Blues Defender. Brown can take plenty of the credit since he has taken over almost complete control of his ow arranging, production and mixing as well as the string bending and blues moaning. He began his career as a sideman, including much activity for the Duke and Peacock outfits in the '50s about which discographers make comments such as "... the record keeping at that time was less than desirable." As a result, some of Brown's playing on releases by artists such as Lightnin' Hopkins and Joe Hinton remains uncredited. The guitarist, singer and songwriter began his professional career as an original member of the great Amos Milburn band known as the Aladdin Chickenshackers. Brown's picking is killer on early Aladdin recordings by both Milburn as well as Ruth Brown's first Atlantic sides. Atlantic allowed Brown to make a few recordings of his own in 1949, buoyed by the enthusiasm the label had for Milburn, who played behind his sideman on these sessions along with the rest of the Alladin Chickenshackers. T-Bone Walker is the dominating force in Brown's stylistic palatte, an influence that was considered something of a driving permit for any guitarist venturing out of Houston during this period. Before finally getting the biggie recording opportunities in the late...