Standing a little over five feet in height, Frederick Earl Long (aka Shorty Long) was one of the funkiest singers to record at Motown Records. Long was born on May 20, 1940, in Birmingham, AL. While growing up he learned about music from people like Alvin "Shine" Robinson and W.C. Handy. The multi-talented singer could play piano, organ, drums, guitar, trumpet, harmonica, and was probably an excellent hand clapper. In Birmingham he worked as a DJ, toured with the Ink Spots, and gigged at club called Old Stables. In 1959, Long moved to Detroit, caught the ear of Harvey Fuqua, and cut two singles for Fuqua's Tri-Phi label. "I'll Be Here," backed with "Bad Willie," came out in 1962 and went unnoticed; the follow-up, "Too Smart," released later in the year, stiffed as well. Fuqua, tired of fighting with distributors and doing all the things it takes to run a label, decided to sell his operation to Berry Gordy, and Shorty Long became a Motown artist. His first release, "Devil With the Blue Dress On," was a slow bluesy grinder with a stinging solo guitar that accented the break. Long and William Stevenson wrote "Devil" and it had all the ingredients of a hit but, for some reason, didn't chart. (Detroiter Mitch Ryder recorded "Devil" at a frantic pace, and the energy propelled the song to the fourth position on Billboard's pop chart.) His next release, "It's a Crying Shame," did nothing. Then came what should have been a million seller -- Long's funky name-dropping soulful "Function at the Junction"; written by Shorty Long and Eddie Holland, the song had it all -- funky beat, soulful singing, good lyrics, danceability, everything -- yet, it only climbed to the number 97 position on the pop chart in 1966. His classic remake of the Big Bopper's "Chantilly Lace" received some...