Russ Conway

Russ Conway was born Trevor Herbert Stanford on September 2, 1925, in Bristol, the youngest of three brothers. His father was a commercial salesman and his mother a pianist, and despite having no formal piano training, he inherited her musical ability and went on to dominate the charts in 1959 with piano medleys, totally contrary to the genres of music prevalent at the time. As a teenager during World War II he joined the Royal Navy, winning a Distinguished Service Medal for work as a personnel signalman to the commander of minesweepers. After the war he rejoined the Merchant Navy, and while on duty he had an accident with a bread slicer that took off the tip of one of his fingers. Conway later claimed this added to his style of playing piano rather than hindering him. He remained in the Navy until 1955, and after leaving he found work playing the piano at various London nightclubs, where one night he was approached by Irving Davies, who booked him to work as backing pianist for Gracie Fields, Dennis Lotis, Joan Regan, and Rosemary Squires. This brought him to the attention of Norman Newell, an A&R man with EMI Records, who signed him to their Columbia label. In 1956, he co-wrote the music for a new TV production of Beauty and the Beast and by 1957, under his new name of Russ Conway, he released a medley of songs called "Party Pops." Conway was seen as the successor and the label's answer to Decca's Winifred Atwell, who had enjoyed several piano medley hits throughout the 1950s but had, since 1954, mainly settled into releasing just one each Christmas. "Party Pops" included honky tonk versions of several songs from yesteryear: "When You're Smiling," "I'm Looking Over a Four Leaf Clover," "For Me and My Girl," "Shine on Harvest Moon," and "By the Light of the Silvery...