Why Ronnie Self never made it as a performer is one of the great mysteries and injustices of pop music history. He had the look and the sound -- a mix of country, rockabilly, and R&B that sometimes made him sound like a white Little Richard, but mostly like the young Elvis or Carl Perkins -- and he wasn't lacking for good songs, which he mostly wrote himself. He should have been there, thought of in the same breath as Perkins or Jerry Lee Lewis; instead, he's a footnote in rock & roll history outside of Europe, where he's treated as a legend. Self was born in Tin Town, MO, on July 5, 1938, the first of five children of Raymond Self, a farmer-turned-railroad worker, and the former Hazel Sprague. Self had a reputation as a wild boy, with incidents of vandalism and assault in his background. He became interested in music while still a boy, and began writing songs while in his teens. He was always submitting demos, and in 1956, Self got hooked up with Dub Albritton, who managed Red Foley, among other artists, and owned a publishing house, and Self was signed to a songwriting contract. His first recording sessions were held in Nashville on behalf of ABC Records, which led to a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," both sides of which were written by Self. Issued in 1956, the record failed to chart -- although ABC listed a second single release by Self, "Sweet Love"/"Alone," that disc has never been found, nor have the tapes for those two songs. In January of 1957, Self was picked by Albritton to perform as part of the Phillip Morris Caravan. Most of the acts on the package show were country players, and Self was the resident rockabilly representative -- he quickly began attracting attention with his wild and highly animated stage...
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