Pulnoc

Czechoslavakian post-punk group Pulnoc emerged from the ashes of the Plastic People of the Universe, the legendary underground art rock unit formed by bassist Milan Hlavsa just weeks after the country's 1968 Communist takeover. Named in honor of the Frank Zappa composition "Plastic People" -- the Velvet Underground, the Doors, the Fugs, and Captain Beefheart were seminal influences as well -- the group's theatrical stage performances earned the ire of officials, especially in light of the Kremlin's "normalization" initiatives which resulted in the closing of virtually all of Prague's rock venues. In 1970, the government revoked the Plastic People's professional license, restricting the band from use of state-owned instruments and practice spaces; as restrictions mounted, the group receded further into Prague's nascent underground music circuit, becoming increasingly experimental even as each of their performances ran the risk of police interference. After a March 1976 appearance led to the arrests of the Plastic People and many of their friends and fans, the band became a cause celebre among anti-Communist leaders including playwright Vaclev Havel; bootleg tapes of their music were also smuggled to the West, further expanding their notoriety. The Plastic People of the Universe forged on until April of 1988, their demise brought on by internal dissension over whether or not to change their name in the hopes of regaining their performing license; the core trio of Hlavsa, guitarist Josef Janicek, and viola player Jira Kabes soon formed Pulnoc (midnight) with vocalist Michaela Nemcova, guitarist Karel Jancak, cellist Tomas Schilla, and drummer Petr Kuzamandas. Thanks to loosened government restrictions, in the spring of 1989 Pulnoc was allowed to tour the U.S., and with...