Peetie Wheatstraw

Peetie Wheatstraw was the name adopted by singer William Bunch, taking it from Black American folklore. According to author Ralph Ellison, who made use of the Wheatstraw legend to model characters in his novels Invisible Man and Juneteenth, "Peetie Wheatstraw" was the evil half of a twin personality whose challenge was invoked at the start of a pool game. He was "the Devil's Son-In-Law" or "the High Sheriff of Hell," in search of his other half, the "Lord God Stingerroy" to shoot him a game. Nothing is known of the early life of William Bunch, other than that he was born in Ripley, Tennessee and raised in Cotton Plant, Arkansas. In 1929, he arrived in East St. Louis, already using the name Peetie Wheatstraw. Allegedly, as Wheatstraw, Bunch was also spreading the rumor that he had been to the "crossroads" and had sold his soul to the Prince of Darkness in exchange for success as a musician. Without regard for the validity of Wheatstraw's claims, this self-promotion paid off in short order. Peetie Wheatstraw soon became a popular performer in East St. Louis and his fame quickly spread to Chicago. At a time when most record companies were cutting their entire blues rosters in order to survive the depression, Peetie Wheatstraw suddenly became a hot item. Wheatstraw began his recording career singing vocal duets with the unknown "Neckbones" (possibly J.D. Short) for ARC on September 13, 1930 and continued recording on his own into the early part of 1931. After an isolated session for Bluebird in September, 1931, Wheatstraw returned to ARC, and then moved to Decca in 1934, where the bulk of his best recordings were made. Peetie Wheatstraw recorded in every year of the 1930s save 1933, ultimately producing 175 sides in all with only one rejection, an enormous total for a blues...