Formed in Germany in 1969, Nektar was a quartet of Englishmen who met in Germany and, for a little while in the early to mid-'70s, seemed like they might take American rock by storm. It was mostly hype, and by 1975 their big moment had already passed, although they lingered on until the end of the decade. Allan Freeman (keyboards, vocals), Roye Albrighton (guitar, vocals), Derek Moore (bass, Mellotron, vocals), and Ron Howden (drums) all came to Hamburg from England in 1965 as members of different bands. They met in 1968 at the Star Club, where they discovered some common ground in the Beatles as well as early rock & roll, but were drawn to the more experimental sounds just beginning to emerge on the rock scene. A year later they formed Nektar and began working at combining these influences into an effective whole. By 1970, with a light show (designed and operated by unofficial fifth member Mick Brockett) added to their stage act, they began attracting a growing following in Germany. They were signed to the Bellaphon label in 1971 and released their debut album, Journey to the Center of the Eye, a year later. Their second album, A Tab in the Ocean, followed later the same year, and achieved a cult following as a direct import. Their extended songs, usually involving extensive variations on the same theme, found a growing audience in an era dominated by the sounds of Emerson Lake & Palmer and Yes. Nektar's sound, built around guitar, electronic keyboards, and bass, was far more gothic, with dense textures that didn't always reproduce well on stage -- the fans didn't seem to notice. On radio, however, their music filled in large patches of time and attracted listeners ready to graduate from Iron Butterfly and Vanilla Fudge, and seeking a recreation of the drug experience...