Martyn Bennett

The musical traditions of Scotland are fused with the technology and rhythms of modern dance music by multi-instrumentalist and composer Martyn Bennett. Roots World described Bennett's musical approach when they wrote, "he weaves solo instruments in-and-out of the imaginary orchestra just as a classically trained musician." While the L.A. Times reviewed Bennett's self-titled 1996 debut album as "an invigorating and captivating form of multi-culturalism," the Toronto Sun observed that "the record sports Gaelic jigs, Penjabi melodies, Scandanavian chanting, and Turkish bagpies, which are fit together with seamlessness by synthesizers and drum machines." Although born in Newfoundland, Bennett's ancestry traces back to Scotland and Wales. As a youngster, Bennett was inspired by the songs sung by Gaelic-speaking Scottish immigrants. He became exposed to the roots of the music first-hand after moving with his family to Scotland in 1977. After studying at the School for Musically Gifted Children, he continued his musical education at the Royal Scottish Academy of Music and Dance in Glasgow, where he studied violin and piano. He later became equally fluent in the ancient Ceol Mor techniques of solo bagpipe playing. He served as personal piper to the president of Tanzania during the president's visit to Edinburgh. In his late teens, Bennett became fascinated with the rave scene and began formulating a plan to combine traditional and modern musical influences. His earliest opportunities came when he was asked to compose the scores to several theatrical productions including Tom McGrath's adaptation of the Robert Louis Stevenson classic Kidnapped at the Royal Lyceum and David Harrower's Traverse Theater production Knives in Hens. This led to projects in movies and television...