Marty Sheller

Marty Sheller was born in Newark, NJ, on March 15, 1940. His first instrument was snare drum, which he took up in school at age ten. Shortly thereafter he switched to trumpet, and made his professional debut in 1958, playing a summer gig at the Woodbine Hotel in the Catskill Mountains. That fall, he joined a combo led by tenor saxophonist Hugo Dickens, a bandleader who performed jazz, R&B, and Latin musics for black social club dances in Harlem. Sheller next hooked up with timbales and vibraphonist player Louie Ramirez, and they collectively formed a group whose intent was to interpret jazz songs with a Latin rhythm section. That group included conguero Frank Malabé, who Sheller cites as an important early influence. Conga master Sabu Martinez, however, did hire the whole group, minus Malabé, to play on Sabu's Jazz Espagnole, originally issued on the Alegre label. Sheller was also working with another timbalero/vibraharpist, Pete Terrace, when he first met Mongo Santamaria at a club in the Bronx in 1961. Cuban conga great Santamaria had recently come from San Francisco to New York with a charanga band. Not too much later on, Sheller got a call from Santamaria; the percussionist had dropped the flute-and-violins lineup of the charanga band in favor of a Latin jazz sound with a front line of trumpet, alto saxophone, and tenor saxophone. At Sheller's first rehearsal with Santamaria, Herbie Hancock brought in an arrangement of a tune he'd recently recorded for Blue Note -- "Watermelon Man" -- changing the original phrasing. Pete Long, Santamaria's manager, phoned Orrin Keepnews at Riverside Records with the news and persuaded the producer to promptly record the song for release as a single. Issued on Riverside's Battle subsidiary, "Watermelon Man" became a Top Ten pop hit...