Liberace

Liberace (born Wladziu Valentino Liberace) was the most flamboyant, popular easy listening pianist of the '60s and '70s by a wide margin. His campy, theatrical appearance and performances often disguised his prodigious talent. Liberace was a child prodigy born to a musical family. His father, Salvatore, played french horn in John Philip Sousa's Concert Band, as well as the Milwaukee Symphony Orchestra. Instead of following in his father's footsteps and playing horn, Wladziu Liberace decided to play piano instead. Liberace was exceptionally gifted at piano, earning strong words of praise from Ignace Paderewski, which helped him land a scholarship at the Wisconsin College of Music at the age of seven; he retained his scholarship for 17 years, the longest period of time in the history of the academy. When he was 11, he debuted as a concert soloist. When he was in his teens, he was performing with symphony orchestras. Instead of following the accepted path of classical recitals and university courses, Liberace chose to be a showman. At encores at his concerts, he began playing novelty songs like "Mairzy Doats." To ensure that he had widespread appeal as an entertainer, he took elocution lessons in order to mask his Polish accent. During World War II, Liberace performed in a variety of overseas entertainment units. When he came back to America, he began performing in clubs, playing and singing with dance bands. While he was on the club circuit, he began performing under the sole name of Liberace. In 1940, he moved to New York City, where he became a fixture on the club circuits. However, his stint in New York wasn't particularly successful, as the Musicians Union banned the pianist after he began playing counterpoints to certain records played over the club's sound system....