From his early days in Memphis, where he played in his father's church choir, veteran saxophonist Kirk Whalum drew inspiration from the rich musical traditions of that city, including gospel, R&B, blues, and eventually jazz. He received a scholarship to attend music school at Texas Southern University, where he formed a band in 1979 and began playing shows on the local club circuit. When he opened for Bob James in Houston in 1984, the pianist was impressed with Whalum's expressive style and invited him to play on his album 12. Whalum soon signed with Columbia Records and released his first solo album, Floppy Disk, in 1985. That album (as well as the next two, 1988's And You Know That! and 1989's The Promise) was produced by James, continuing the musicians' fruitful partnership. The early '90s saw Whalum issuing two more albums on the Columbia label -- Caché in 1993 and In This Life in 1995 -- each of them earning the saxophonist increased commercial attention and critical praise. Later, a duet with James titled "Joined at the Hip" took Whalum's career to a new level, as the song garnered Whalum his first Grammy nomination. In 1997, Whalum jumped labels to sign with Warner Bros. His first solo album on Warner's tab, Colors, was released that same year, and perhaps more than any other album showed Whalum's ability to synthesize music from a variety of sources to produce a fusion of pop, jazz, and R&B. The following year, Gospel According to Jazz, Chapter 1 exhibited his ability to return to the music of his childhood stylistically, while also pursuing the kind of spiritual depth that has a long history in jazz, echoing artists like John Coltrane in taking advantage of the saxophone's unique expressive qualities. The decade also brought Whalum an amazingly diverse series...
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