Kate Wolf

Although she was a significant presence on the folk scene between the late '70s and mid-'80s, it's difficult to categorize Kate Wolf as a folk performer (though that is ultimately the broad category that suits her best). Although she largely employed acoustic instrumentation, she really owed more to the contemporary singer/songwriter movement than folk-based traditions. While it's easy to imagine her music appealing to fans of, say, Joni Mitchell, she never made the slightest impact on the rock audience, and barely drew from rock elements at all in her own work. Her music also had a strong country flavor, though not of the Nashville variety. Her fusion of country, folk, and singer/songwriter influences helped point the way for later country-folk-pop performers such as Nanci Griffith and Mary-Chapin Carpenter. The appeal of Wolf's music is broad -- folk, pop, and rootsy country fans can all find something to like -- yet elusive. Her songs are not necessarily immediately striking upon first listen, and her body of work, if taken more than an album at a time, can justifiably be described as rather heterogenous. Her style is one that tends to grow on listeners over time, as Wolf is not about flash. Her songs, characterized by a strong narrative thread, are about the ebbs and flow of adult life, in terms that are neither overly sentimental nor mundane. She describes family, romance, and the rural life of her native Northern California with fine (though not studious) detail, projecting a sort of reserved sensitivity with her lower-than-average vocals. Hers is a voice of wisdom, comfort, and independence. If those aren't the most exciting things around, there are few other performers who convey such consistent warmth and dignity, making listeners she never met personally feel...