Motown's skilled but mostly anonymous instrumentalists very rarely stepped out on their own. The lone exception to the rule was tenor saxman Junior Walker, whose rough-and-ready, old-school R&B was a marked contrast with the label's typically smooth, polished product. Walker's squealing gutbucket style was inspired by jump blues and early R&B, particularly players like Louis Jordan, Earl Bostic, and Illinois Jacquet. Possessed of a raspy, untrained voice, Walker's singing nonetheless complemented the energy of his sax playing, and he cut a wealth of danceable, party hearty R&B for Motown during his heyday in the second half of the '60s. Walker was born Autry DeWalt II on June 14, 1931 (even though Motown gave his birth date as 1942), in Blytheville, AR. (Some accounts list his birth name as Oscar G. Mixon, which was then changed at some point during his early childhood.) DeWalt grew up in South Bend, IN, and began playing the saxophone in high school; he was soon performing in local jazz and R&B clubs with his first band, the Jumping Jacks, under the name Junior Walker. He next joined a trio led by drummer Billy "Stix" Nicks, which also featured organist Fred Patton; they soon added backing vocalist and guitarist Willie Woods, and played around northern Indiana and southern Michigan. Walker took over the group after Nicks joined the Army; in the late '50s, he relocated to Battle Creek, MI, and formed a band billed as Junior Walker & the All-Stars. Initially, they featured Patton, Woods, and drummer Tony Washington; Patton was later replaced by Victor Thomas, and Washington by Jack Douglas and, finally, James Graves. The All-Stars continued to play around the area, and took up a residency in Battle Creek's El Grotto club. There they were discovered by singer Johnny...