Johnny Bristol

Though born in Morganton, NC, vocalist, composer, and producer Johnny Bristol began his career in Detroit and was a longtime force at Motown from 1961 to 1973. Bristol teamed with Jackey Beavers doing duets for Gwen Gordy's Tri-Phi label in Detroit during the early '60s. They cut the original version of "Someday We'll Be Together," which was remade by Diana Ross & the Supremes in 1969. Bristol was the session's producer, and also the male voice doing harmony. Bristol was professionally and personally part of Motown, as he married Iris Gordy, and was also Harvey Fuqua's writing and production partner for several years. They co-produced Junior Walker & the All-Stars' remake of "How Sweet It Is" in 1966, then co-wrote and produced "What Does It Take." Bristol wrote and/or produced songs for Diana Ross, Marvin Gaye and Tammi Terrell, Smokey Robinson, David Ruffin, Edwin Starr, Michael Jackson, Gladys Knight & the Pips, Martha Reeves, Jimmy Ruffin, the Spinners, the Four Tops, and Stevie Wonder. "Ain't No Mountain High Enough," "25 Miles," "Help Me Make It Through The Night," "I Don't Want to Do Wrong," and "Yester-Me, Yester-You, Yesterday" were some of the songs featuring Bristol's input. He signed with MGM as a solo artist in 1974. His first single, "Hang on In There Baby," was his biggest; it was number two R&B and number-eight pop that year. Bristol enjoyed two more sizable hits for MGM, "You and I" and "Leave My World" in 1974 and 1975. He moved to Atlantic in 1976, and scored his last hit with "Do It to My Mind," a number-five R&B record. The Osmonds also had a number one record in England with Bristol's "Love Me for a Reason." Bristol remade "Hang on In There Baby" as a duet with Alton McClain for Polydor in 1980, and did another duet with Amii Stewart titled "My...