Jimmy Murphy is one of the more enigmatic figures to come out of the country/rockabilly scene of the early to mid-'50s. A virtuoso guitar player and a gifted and inspired songwriter, he had a knack for composing and performing quirky, clever songs that hooked into unusual thematic angles -- his first song, "Electricity," equated rural electrification with religious salvation, while the closest he ever got to a real hit, "Sixteen Tons Rock n' Roll," was a satire of the 1956 Tennessee Ernie Ford hit of the Merle Travis song. His music was also strangely archaic in both its form and content, elements that may have doomed his chance for a successful recording career. Murphy's music drew from a multitude of influences, most notably the blues. His father was an admirer of numerous bluesmen, including Blind Boy Fuller and Leadbelly. He joined his father in the bricklaying trade and always split his time between construction and music. By the mid-'40s, Murphy was an occasional guest on the Happy Hal Burns Show on Birmingham's WBRC. He moved to Knoxville, TN, sometime in late 1949 and auditioned successfully for a spot on future Hee Haw cast member Archie Campbell's Dinner Bell Show on WROL. He later moved over to WNOX. Campbell was responsible for introducing Murphy to guitarist Chet Atkins, who arranged for Murphy to record a demo tape. This resulted in a publishing contract and also led to a formal recording session for RCA Victor in January of 1951, with Murphy backed only by Anita Carter's bass. The resulting single, "Electricity," was received enthusiastically by all those present, but it died on the vine, as did its B-side, a cautionary tale about a teenage girl gone astray called "Mother Where Is Your Daughter Tonight." Both songs were stylistic and thematic throwbacks...
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