The fun side of folk music was explored by the Jim Kweskin Jug Band. During the five years they were together, the group successfully transformed the sounds of pre-World War II rural music into a springboard for their good-humored performances. A communal-like musical ensemble, the Kweskin Jug Band was formed by Jim Kweskin, who had been inspired by a folk group, the Hoppers, featuring washtub bass player John "Fritz" Richmond. As a student at Boston University, Kweskin would often attend the Hoppers' performances at Cafe Yana in Harvard Square, learning much about guitar fingerpicking by watching the band's fingers. After Richmond was drafted into the U.S. Army, serving time in Korea and Europe, Kweskin began to frequent other folk clubs in Cambridge and Boston. Before long, he was playing guitar well enough to perform English and Appalachian ballads in folk coffeehouses. Although Kweskin temporarily left for California, he returned to Cambridge, along with his wife Marilyn and dog Agatha, and resumed his musical career. A split-bill booking with blues enthusiast Geoff Muldaur at the Community Church in Boston on February 3, 1963, proved a turning point. In addition to peforming their own sets, Kweskin and Muldaur played several songs together. When Kweskin was invited by Maynard Solomon of Vanguard Records to record with a band, he immediately remembered Muldaur. Together with Fritz Richmond, and banjo and harmonica player Mel Lymon, Kweskin assembled the original Kweskin Jug Band. The group was a smash from the onset and were quickly signed to a record contract by Vanguard. During a two-week stint at the Bottom Line in New York, Maria D'Amato, fiddler and vocalist for the New York-based Even Dozen Jug Band, attended a show, became enamored of Muldaur and accepted...