Henry Cow

The progressive-rock genre spawned many groups who became top-grossing arena acts -- Pink Floyd and Genesis are two -- as well as many who progressed right into obscurity. Henry Cow was one of the best-known and most widely traveled English bands of the progressive era (though only a cult-favorite in the U.S.), and their music has aged amazingly well over the last 20 years due to diverse influences (Oliver Messiaen, Kurt Weill, Frank Zappa, and Soft Machine were a few) and uncompromising creativity. The group functioned more or less as a collective, with a true group identity that changed from album to album as members came and went. This turnover was one factor in the consistent vitality of Henry Cow; another was the dedicated core of the band, a serious, politicized trio whose interest in improvisation served to leaven the complexity they supplied as primary writers. Tim Hodgkinson played keyboards and reeds; Chris Cutler (later of Pere Ubu) played drums, Fred Frith provided a variety of instruments, specializing in strings (the guitar in particular); all of them sang. The three appear on all of the Henry Cow albums recorded between 1973 and 1978. Other longtime members included multi-reedist Lindsay Cooper, bassist John Greaves, and German singer Dagmar Krause, who worked with Frith and Cutler in the spinoff Art Bears band and later recorded bilingual renditions of songs by Brecht & Weill. Together, their sound was so mercurial and daring that they had few imitators, even though they inspired many on both sides of the Atlantic with a blend of spontaneity, intricate structures, philosophy, and humor that has endured and transcended the "progressive" tag. Since the demise of Henry Cow, its members have continued in creative directions, mostly working in Europe with...