Happiness Boys

The phrase "known as the Happiness Boys" drops in through the mist of montage and aural crud on a classic Firesign Theatre album, sparking some listeners' interest in old-time radio and vintage recording artists. Anyone seriously studying these subjects would certainly come across the Happiness Boys -- the pairing of two virtuoso singers, tenor Billy Jones and bass-baritone Ernest Hare. Besides being stars on radio, the duo made piles of recordings beginning in the '20s, inexplicably finding that there could be life for a recording act that chooses the song "All She'd Say Was Mmm-mmm-mmm" for its first release. Like many acts from the Roaring Twenties, this one's name developed out of a close relationship with the first advertiser to sponsor the act on radio, in this case none other than the Happiness Candy Stores chain. The relationship between this stage name and the careers of each of these singers under their own names bobbed and weaved, with recordings by the duo sometimes issued without reference to the Happiness Boys prior to the period during which use of the name became absolutely essential (from around 1925 through 1928). Overexposure, even to such a worthwhile factor as happiness, is apparently the factor credited for this act's slumping record sales in ensuing years. No other relationship with a sponsor worked out so well for these vocalists, at least in terms of name recognition. For example, they were the Taystee Loafers in the early '30s, a move made on behalf of a bakery that also put up the bread for its own orchestra. In 1936 a razor firm signed on as a sponsor for a show headlining Milton Berle; in this context, the duo was now known as the Gillette Gentlemen, a name the pair continued using as, should it be dared to be said, a shave name until 1939....