Habib Koité

The West African country of Mali has produced some great musicians. But as they age, people have wondered who'll step forward from the next generation. The big answer to that seems to be Habib Koité, who comes from the Khassonké griot tradition, that's the hereditary caste of musicians, but whose eyes are firmly on the future. Born in 1958, his lineage made music a part of his life and it was in order to accompany his mother's singing that he taught himself to play guitar, showing enough ability on the instrument that he was accepted at the National Institute of Arts (NIA) -- remaining there four years after his graduation in 1982 to teach guitar. From his early days, he hasn't played just in the standard Western tuning, but also traditional Malian tunes to make his instrument mimic the traditional n'goni (a four-string lute) and kamele n'goni, or young man's harp, with six strings, giving a richness and native texture to his work. Being at NIA afforded him the opportunity to play with some of the country's top musicians, including the likes of kora giant Toumani Diabaté. It wasn't until he was 30 that Koité decided to form a band, Bamada, and they toured extensively throughout Mali, before heading to the Perpignan Voxpole Festival in France in 1991, where they took first prize. That brought them the chance to record two songs, one of which, "Cigarette A Bana" ("The Cigarette Is Finished"), became a hit across West Africa, to the extent that children would sing its chorus in the streets. That led to another single, "Nanale" ("The Swallow"), and the Discovery of 1993: Media-Adami Award by Radio France International. In the wake of that, came Koité's first album, Muso Ko, which topped the European World Music charts (released in the U.S. 1999 on Alula Records). While...