A graduate of the Berklee School of Music, Donny McCaslin (born Donald Paul McCaslin) has had a saxophone in his hands from his earliest years and has integrated the entire range of sounds that a tenor sax can produce into his repertoire: from mainstream modern to funky fusion to laid-back balmy ballads, all flavored with his own experimental style. McCaslin's father originally taught high-school English but favored being a jazz musician, playing the vibraphone and piano in local gigs with young McCaslin in the audience. When he was only 12 years old, McCaslin joined his father's group. By the time he was in high school he had formed his own band, and was selected to play at the Monterey Jazz Festival for three years in a row. During high school he also performed with an eight-piece salsa band, and spent much time at the Kuumbwa Jazz Center, where nationally known jazz artists gathered. He studied with Paul Contos and Brad Hecht, accomplished members of his father's groups, and was influenced by the likes of John Coltrane, Michael Brecker, and Sonny Stitt. McCaslin's technique and expression allowed him to tour with all-star youth ensembles through Europe and Japan, and won him a full scholarship to Berklee College of Music starting in 1984. His main influences there included Gary Burton, Herb Pomeroy, Billy Pierce, George Garzone, and Joe Viola. During his senior year at Berklee he joined vibraphonist Burton's quintet, and for four years the group toured Europe, Japan, North America, and South America. During 1991, after moving to New York City, McCaslin became a member of Steps Ahead, and played with them for over three years. Michael Brecker, formerly of Steps Ahead, had been one of McCaslin's teenage idols; now McCaslin was replacing him. McCaslin co-wrote two of...
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