Conrad Schnitzler

One of the prime figures in the growth of Kraut-rock, Conrad Schnitzler made important contributions to the early history of Kraftwerk and Kluster. Like many in the Kraut-rock community, Schnitzler was greatly inspired by influences in the visual artistic world as well as the musical; he studied sculpture with Joseph Beuys, and composition with Karlheinz Stockhausen, also looking to John Cage and Pierre Schaeffer for inspiration. By 1969, he was working with Tangerine Dream, with whom he recorded Electronic Meditation. The album became one of the most distinctive in TD's discography, and Schnitzler takes much of the credit for its chance-taking approach. Before the end of the decade, Schnitzler had begun appearing with another soon-to-be Kraut-rock legend, Kluster. Formed with Dieter Moebius and Hans-Joachim Roedelius, the group recorded two albums in 1970, Klopfzeichen and Zwei Osterei. Schnitzler left for a solo career one year later, though Moebius and Roedelius probably appeared on his debut, Schwarz (no credits were given, but other musicians can be heard). With Schwarz and 1972's Rot, Schnitzler began to progress from mostly acoustic music to a style based around electronics and tape-looped sound. Though he continued to record sparingly during the 1970s, not much of Schnitzler's work was released until the following decade. He emerged in 1978 with the album Con, recorded at Peter Baumann's Paragon Studios, and with the support of the French label Egg Records. The beginning of a new decade resulted in much activity for Conrad Schnitzler, and he released seven albums in total during 1980-81 alone. The styles ranged from the harsh sequencer trance of Consequenz to the surprisingly pop-oriented project Con 3 (both were recorded with drum machines and vocals by Wolf...