Chas Smith

Composer, performer, and instrument designer Chas Smith (born 1948, Hardwick, MA) has appeared on dozens of feature film scores, rock, jazz, and blues albums playing pedal steel guitar and organ, but since the 1990s he concentrates on his impressive metallic sound sculptures. Following in Harry Partch's footsteps, he builds his own instruments, structures that can be struck or bowed in various places, and writes for them. He is an acolyte of Rick Cox, Michael Jon Fink, and Jim Fox, all revolving around the label Cold Blue. His music, eery soundscapes both soothing and haunting, can be heard on Nikko Wolverine (2000) and Aluminum Overcast (2001). Smith's mother was the church organist for the First Congregational Church, so he went through piano lessons starting at the age of eight. He got his first taste of the electric guitar when he heard Link Wray's "Rumble" on American Bandstand and at age 14 dropped the piano. The guitarist started to play in a few rock & roll bands and even played Hammond B3 organ on porno movie soundtracks in the early '70s, but he had higher aspirations. Smith enrolled at Berklee Music School in Boston as a pianist to study jazz composition but dropped out before completing his first year. A couple years later, after hearing Morton Subotnik's "Silver Apples of the Moon," he left his native New England and moved to California to attend CalArts, where the composer was teaching. He also studied privately with Mel Powell, James Tenney, Earl Brown, and Harold Budd (he played on the latter's The Room and Serpent in Quicksilver). He graduated in 1975 and completed his M.F.A. in music composition in 1977. Soon he began to perform pedal steel guitar on various film scores, an activity that would become increasingly important for him during the late '80s...